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Post Your Pedalboard - XIX - Hey Nineteen

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Very cool.


Did you get rid of all your moog pedals, or are they just on the backburner for now?

The only thing on the back burner is the Murf

I briefly had the 103 Phaser, but it wouldn't fit anywhere.

But pretty much still got and using everything...I am using 3 after all.

I was really only using the CP-251 for the 4 way multiple so that was pretty much a huge waste of space...I'm trying to get something to do the same thing, but I have yet to get something to work the same way. (and I am aware of the MP-201 but that is real expensive and big)
 
Here's mine.

PedalCase021.jpg


DIY A/B box with led indicators (Red=Mute/Tuner, Green=Active) (Stop/Go)

Tokai overdrive (Overrated)
Boss Chorus (Clockwork)
Behringer BDI box (Beady Eye)
Footswitch for my behringer head (octaver (FAT) and shape (Never!) function)
Bespeco volume pedal (Sedated)
Boss tuner

I made the AB box because the tuner seemed to make noises of its own when permanently in the path, and silent tuning is much more professional I feel.

I don't change effects much (a bit of chorus on one song, overdrive for 4 bars on another, volume is just for level, not swells, octaver on just one song) BDI is always on, so it's simple. It has to be, I'm singing too!

The box is a toolbox from the local DIY shed. I put a false base in it (removable) of mdf sprayed black, that the wires go underneath for power etc, keeps it all neat.

I changed the hinges for knock down ones, and the effects sit in the 'lid', otherwise it's too high and you can't activate the pedals.

Most of the effects are old or cheap, but it sounds pretty good.

I'm running my Squier Jazz (recently rewired both pickups on, to one volume control, flatwound strings) thru this into my Behringer head and 2x10 cab.

The labels on the effects are my way of amusing myself, and they confuse gear-watchers too!

I thought the Behringer BDI box looked like an eye, so I put a stick on googly eye on the switch.

Having it all together like this is just great. Much more reliable. And these days it seems venues don't even give you a sound check, it's just plug in and go, then you have to get off just as quickly too!

Comments?

:bassist::bassist::bassist:
 
probably start off with tie wraps, at least until i find out where i want everything. gonna be a lot of shuffling as i get the pieces i'm looking at.

i wanna see a photo of this when your done
i tried it and for the life of me could not get it to work right
its probably something really obvious that will result in me hitting my head against the wall screaming "STUPID! STUPID! STUPID!..."
:D
 
i wanna see a photo of this when your done
i tried it and for the life of me could not get it to work right
its probably something really obvious that will result in me hitting my head against the wall screaming "STUPID! STUPID! STUPID!..."
:D

Oh yeah, I used cable ties for holding mine down. Velcro never seemed to work for me.

Most pedals are good for this. On my board only one pedal presented problems (the Tokai overdrive), so I drilled some holes in the side and threaded the tie thru. It doesn't bother me that it has holes in.

Some pedals needed longer ties than I had, so I 'daisy-chained' two together to do it. It might seem obvious, but my guitar-player didn't know this when he was doing his board.

I pulled the ties with pliers to get them nice and tight - very firmly fixed now!

:bassist::bassist::bassist:
 
1) I used a Torn's Peaker a long while ago only in conjuction with the Freqbox (there are samples of it in the sticky somewhere) I stopped using it because the pedal itself was super noisy and had low end loss...I didn't mind at the time since it was ONLY used when the freqbox was on (evens out the sound in how I use it) I realized I got just as good or an even better sound using my Fuzz or DBA pedal so there was no need to really keep it around, so it's gone.

Interesting. I mostly use mine in a blend loop to simulate an excurting speaker, but even then it gets a little noisy :o It also tends to dissappear in my dual setup.....

2) I really wouldn't need two separate volume pedals to cut in the signals individually - more hassle and I try to keep things pretty straightforward in Castevet - Plus it would be more board real estate and another things for kids to jump on and kill my signal in our many basement shows.

LOL. True nuff I guess :D

Thanks man, glad you like it. Both bands have new records in the works. Castevet is going to record for a new 12" at the beginning of September. and Bongripper is finishing up writing of the long awaited "Satan Worshiping Doom" album...which is still unknown as when we will record and release it...but definitely this year.

Never heard Castevet, but will have to :D Greatly looking forward to any album with "Satan" and "Doom" in the title ;)
 
Link Removed

Aside from what you see here, I have a Sound Sculpture ABCadabra MIDI controlled A/B box in the back of my rack connected to the effects loop of my F-1X preamp. Select channel 6 on the MIDI Mouse and my signal is routed through the pedalboard. Select channel 5 and the pedalboard is totally bypassed. Very cool.

A four channel Pedalsnake runs from the back of my rack to the board. One channel runs the power line for the Bassbone, one runs the 9v power for my pedals, one is set up as an insert cable to run my audio from the ABCadabra to the pedalboard, and one serves as a MIDI cable.

Channel 1 of the Bassbone takes the output of the effects loop on my pre. Channel 2 has my electric upright plugged into it. My signal chain goes Bassbone > Peterson (for muted tuning) > OC-2 > Groove Regulator then returns to the effects loop on my preamp.

Contrary to appearances, I'm not running a power line from the Peterson to the Bassbone. They're two separate cables but look in the picture to be the same.
 
l_677cb02ade2c49c6a733b28a4d1548f6.png


I'm still looking at plenty more... I've seen some photos up here of OC-2's. What do you guys think about them? Are they decent octave pedals? I've read a few reviews that seem to be wishy-washy, and I'm wondering if the OC-3 might be better, or even the EBS OctaBass. Better yet, has anyone tried out MXR's new M288?
 
l_677cb02ade2c49c6a733b28a4d1548f6.png


I'm still looking at plenty more... I've seen some photos up here of OC-2's. What do you guys think about them? Are they decent octave pedals? I've read a few reviews that seem to be wishy-washy, and I'm wondering if the OC-3 might be better, or even the EBS OctaBass. Better yet, has anyone tried out MXR's new M288?

I love my OC-2.
 
I love my OC-2.

+1

Any monophonic octaver requires the right technique and the OC-2 is no different. It likes short staccato notes and a very clean deliberate style. If you roll the highs off and blend the pups into a P-Bass like position and stay in the higher octaves, it has no problem with tracking.

I settled on my OC-2 becuase it was a good deal for somewhat of a collectors item. I use it "TheBigO" style,...no direct level OCT. 1 dimed, OCT.2 off. Great warm synthy sound. Sometimes I like to have it glitch in those low registers and lengthened notes sounds awesome with fuzz and clean boost on.

POGs track better but they are polyphonic and digital. I can't comment on their sound. The OC-3 may also track better because it is digital and there is a Poly mode. It also has an OC-2 mode, but I've heard that it isn't a convincing clone of the actual OC-2.

I'd love to give the MXR a go. I think it could give my OC-2 a run for it's money, if not a newer OC-2 that isn't so,....old.
 
another Octaver worth mentioning is the DOD Octoplus I like its sound never heard of it until recently our friend ftp posted some clips:
Here's the Octoplus clip-- there are a few nasty clips in places... didn't hear it in Ableton or Itunes.. but its there on the soundclick at least, and it takes so long to upload with their form that constantly crashes and says 'blocked ID, please return to soundclick' etc etc, so im not going to change it lol..

0:00 - 0:47 -- dry/-1oct blend, tone CCW
0:48 - 1:15 -- dry/-1oct blend, tone at noon
1:25 - 1:55 -- dry/-1oct blend, tone CW
1:56 - 2:24 -- -1oct solo'd
2:25 - 3:04 -- -1oct + Moog LPF
3:05 - 4:05 -- -1oct + Photron

http://soundclick.com/share?songid=7840848
 
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