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Post your pedalboards - Part IV

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I'm a simple guy with a simple board. From R > L there's a Boss TU-2 tuner, a Behringer BDI21 direct interface (set to sound verrry tubey, doncha know), and a screamin' 1960's Univox SuperFuzz. Works great for me.

P6010070.gif


I have some short cables with 90 degree connectors on order just to clean it up a bit.
 
I'm a simple guy with a simple board. From R > L there's a Boss TU-2 tuner, a Behringer BDI21 direct interface (set to sound verrry tubey, doncha know), and a screamin' 1960's Univox SuperFuzz. Works great for me.

P6010070.gif


I have some short cables with 90 degree connectors on order just to clean it up a bit.

Behringer and a SuperFuzz NEVER should meet...
 
I'm a simple guy with a simple board. From R > L there's a Boss TU-2 tuner, a Behringer BDI21 direct interface (set to sound verrry tubey, doncha know), and a screamin' 1960's Univox SuperFuzz. Works great for me.

P6010070.gif


I have some short cables with 90 degree connectors on order just to clean it up a bit.

i like that Fuzz. no knobs to kick out of position! and it looks cool. :cool:
 
gassghost post a photo of your rack pleeeeeeeeez

Hi:

Here you go. The details are:

Gemini Power conditioner
E-MU Proteus 2000 Synth w/ Composer, Vintage Keys, Xtream Lead and Beat Garden modules
Marshall 8008 80/80 Valvestate Stereo Poweramp
Boss GT-Pro Effects Processor
Behringer Euro-Rack Pro Mixer

I use the Roland GR-33 as the A/D converter to trigger the Proteus synth for the guitar portion of the rig. The GR-33 is also my midi controller for patch changes on the GT-Pro. I have 2 signal inputs on my pedal board that are A/B'ed so I can run the synth guitar signal send out to the GT-Pro or use a standard 1/4" output from my bass to run direct to the GT-Pro. I come out of the GT-Pro in stereo and go to the Behringer mixer which in-turn feeds the Marshall. Ditto for the Proteus and GR-33 (Mixer and then to the Marshall). The Marshall feeds either 2 Epifani UL-110's or 2 EA VL-110's. (it's all about small lightweight and powerful). I also use the monitor send from the mixer and send the GT-Pro signal out to my Eden NC-250 combo which in turn also feeds the 210-XLT extension cab. What's cool about this set-up is, since I'm using both the main outs and the monitor out form the mixer, I can blend the Marshall that is feeding my 2 Epifani cabs and the NC-250 for some really cool rich bass sounds. Plenty of low end and real crystal clean mids and highs. The sound is very HIFI and the three worlds bass, synth and guitar all live harmoniously together in one very cool little package...Almost the best of all worlds. (at least for me):D

If you have any other questions please ask away!

GassGhost
 

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HEY!!! that's the same velcro i use. :D that stuff ROCKS.

You kidding? I hate that velcro! I bought 5 kinds of velcro at one point to see which I liked best, and I really disliked Velcro brand in general.

Thanks! I hear you're just as crazy as ever :D

Well, what can I say other than BLAAAAHHHHH!

performing hat?..
[Invalid or Expired Link Removed]

Hahaha

It's nice to see you posting more often. :D
 
Hi:

Here you go. The details are:

Gemini Power conditioner
E-MU Proteus 2000 Synth w/ Composer, Vintage Keys, Xtream Lead and Beat Garden modules
Marshall 8008 80/80 Valvestate Stereo Poweramp
Boss GT-Pro Effects Processor
Behringer Euro-Rack Pro Mixer

I use the Roland GR-33 as the A/D converter to trigger the Proteus synth for the guitar portion of the rig. The GR-33 is also my midi controller for patch changes on the GT-Pro. I have 2 signal inputs on my pedal board that are A/B'ed so I can run the synth guitar signal send out to the GT-Pro or use a standard 1/4" output from my bass to run direct to the GT-Pro. I come out of the GT-Pro in stereo and go to the Behringer mixer which in-turn feeds the Marshall. Ditto for the Proteus and GR-33 (Mixer and then to the Marshall). The Marshall feeds either 2 Epifani UL-110's or 2 EA VL-110's. (it's all about small lightweight and powerful). I also use the monitor send from the mixer and send the GT-Pro signal out to my Eden NC-250 combo which in turn also feeds the 210-XLT extension cab. What's cool about this set-up is, since I'm using both the main outs and the monitor out form the mixer, I can blend the Marshall that is feeding my 2 Epifani cabs and the NC-250 for some really cool rich bass sounds. Plenty of low end and real crystal clean mids and highs. The sound is very HIFI and the three worlds bass, synth and guitar all live harmoniously together in one very cool little package...Almost the best of all worlds. (at least for me):D

If you have any other questions please ask away!

GassGhost

SWEET! i like it.
 
I haven't gotten through this whole thread yet (I will though!), but here's my board.

DSC01158.jpg

DS1>>Ashdown Drive Plus>>Digitech PDS 20/20>>DOD FX30B Gate Loop (In loop: Ashdown Sub Octave>Boss AW3>Boss PS3>4ms Trem Lune)>>Hartke 350 Watt Head with Alesis Midiverb II in the effects loop (not shown).

Everything is powered by a 1 Spot. The vocalist in the band I play in and I built the board. We play some experimental, weird grindcore type stuff. The myspace is in my sig.

I need to clean up the cabling and make it neater. I also need to decorate the Trem Lune a little. Maybe paint the box.

I'd like to replace the FX30B with a loop that offers the option of being a feedback loop. I'm still working on building that.

The PDS 20/20 is probably the most interesting part of my setup. I keep it set to a really short delay time and when I stomp it, I usually hit the on and the Inf Repeat buttons simultaneously to get a stutter edit (think Aphex Twin or Venetian Snares or if you don't know that stuff then the vocals from NIN's Star****ers) type sound. If I then introduce the modulation section of the pedal, it goes completely nuts. I love it.

Hope this crazy long post was interesting to someone. I love looking at all these boards, but sometimes I wish people would explain how they use them a little more.
 
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