Why is that you think?Most 45-65-85-105 sets do have A and D at higher tensions than E and G.
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Why is that you think?Most 45-65-85-105 sets do have A and D at higher tensions than E and G.
On a bass with pickups that are flat across, such as a Jazz bass, A and D sit farther away from the pickup than E and G because of the fretboard radius. Increasing the mass on those two middle strings actually help balance the overall output across all four strings. At least that's the theory behind the traditional gauge selection.Why is that you think?
On a bass with pickups that are flat across, such as a Jazz bass, A and D sit farther away from the pickup than E and G because of the fretboard radius. Increasing the mass on those two middle strings actually help balance the overall output across all four strings. At least that's the theory behind the traditional gauge selection.
Well, not necessarily... There is no set rules as to what gauges work best on any given bass, or which sets are specifically designed for what basses.So you’re saying CM3050 are for split P pickups, which are angled to the fretboard radius, vs M3050 on a straight Jazz pickup? Meaning, the CM3050’s will produce a more even volume output on a P bass compared to the M3050’s?
yeah as i read your posts you’ve been a pretty big fan of the lights.Well, not necessarily... There is no set rules as to what gauges work best on any given bass, or which sets are specifically designed for what basses.
That said, I actually like the light set of the Precision Flats (45-60-75-95) on my Precision for tonal balance. It may be easier to match the angles of the two halves of the split pickup to the fretboard radius, but that doesn't necessarily translate to tonal balance due to the positioning of the two haves, G and D being closer to the bridge than E and A.
One thing I've never done is to try the Precision Flats on a Jazz. And I don't think I ever will as my Highway One J is very happy with the Fender 9050L.I just put a set of .045-.095 precision flats on my 2018 Player Series Jazz bass. So far, I’m really digging these!
Are you talking about the 45-105 set?Just installed and the A,D,G strings sound amazing and consistent but the E is so weird. Its not so much that its dead, but it rings out funny when you play a note, almost like it has a light octave effect on it. It's probably twisted. I removed and reinstalled it but it didn't help any. Sigh.
Are you talking about the 45-105 set?
Did you reset the witness point after the reinstall?Yeah 45-105, "Medium".
Did you reset the witness point after the reinstall?
Only thing stopping me from playing nonstop is my hands needing to get used to the tension. I got the medium set because they were on sale on Amazon, but in hindsight I wish I would've just paid regular price for the custom medium set with lighter A and D strings.
Bought a 2nd pack from Amazon when the Medium set went down in price to $25! Looks like they can still be had for $32, which is a steal for the greatest flats of all time.
Interesting. I would have thought they'd suppress the Ray's inherent "rayness".After putting these on two P basses curiosity got the better of me and I wanted to try them on an active bass. So I strung a set of 45-105's on my Ray34 and dang! I might like them even better on the Ray. The active EQ an MM style pickup really gives these strings even more character. The E string is a bit more defined. Roll off most of the treble and mid and turn up the bass and it gets a cool deep and dubby sound. It also eliminated some bad fret buzz I was getting on the 6th fret of the E string.
Also shout out to GHS for making a "tough" flatwound. So many flats seem fragile, looking at you EB Slinky Cobalts, or the silks disintegrate after being removed once or twice. These things are survivors.
Interesting. I would have thought they'd suppress the Ray's inherent "rayness".