I got a set on order (should be here next Wednesday). This way my p gets flats (and these are my favourite strings), and the pj gets rounds (bead tuning).
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) Since that enlightening I've tried Chromes, T.I.s, New (read different &, imo, not as nice) Fender, Labella and Rotos. But I've never tried GHS Precision flats.
They are the very best flatwound bass strings currently being manufactured by man on planet Earth in the system of Sol in the galaxy of the Milky Way adrift in the vast Universe at large. No strings make a bigger Bang than GHS Precision Flats.Bumping this thread, because. Well, it rules.
I'm considering getting these strings on a new build I will be making this summer. Might go a gauge higher, 55 to 105s. Or maybe a custom set.
Still in love with them. I even love their sound unplugged.
I just switched from La Bella Deep Talking flats to Precision flats on my Ibanez 5-string. I love La Bella strings a lot and will not be switching from them on my 4-string basses (why mess with something that works?), but I was never fully convinced by the La Bella B string, and the Ibanez seemed to bring out a weird out-of-tune overtone on the upper frets that I really disliked, so I wanted to switch. Rotosound and D'Addario Chromes both sound great, but they had never fully convinced me, so I tried GHS. GHS Precision Flats seem to provide me a tone and feel that is very similar to La Bella while giving me a fantastic B string as well. Blindfolded, I think they feel the same as La Bella, and honestly, that's all I wanted. I'm impressed. I also love their Pressurewound strings when I want a little different tone to play with, but nothing beats picking on flatwounds with a thin pick.
Thin picks get the most sound of the pick in my opinion. It adds a huge percussive clack to every note, which to me adds much needed presence to flat wound strings. It does mean that you have to play with a light touch, and thin picks do produce a slightly thinner sound from the string, too, but to me, that's a good thing when flatwound strings have more than enough bass to begin with.I use a thin pick from my guitar background. What kind of music do you play? What is it about that combo that you like?
Mr. Moody, any idea if the string engineers ever experiement with roundcore flats?
TOO dark and thumpy? Is there such a thing?I'm not sure; I'll have to check.
If I can make assumptions based on the hex vs round core Bass Boomers, I think round core flats would have more low mid presence which may or may not work in their favor if we just swapped out that one design element. We'd probably need to look into some other things if the tone got too dark and thumpy.
It might make them more slinky, though...
TOO dark and thumpy? Is there such a thing?![]()
Curious... I wonder what kind of sound the GHS Precisions would have with a round core versus a hex core... if there would be any difference at all...
I've been calling Precision Flats, "the sound of chocolate." I can see it now: Round Core Precision Flats, "the sound of DARK chocolate!"
2) Smooth - While the strings themselves are super smooth so is the sound. Dark. Focused. Smooth. Intense. They sound as good as Ghiradelli Intense Dark Chocolate tastes. Yes, that good.
Yeah, I read that when it was written. I'm not going to kick over a simple matter of semantics.I think he picked it up from fretlessguy:
ghs flatwounds on a P-Bass | Page 2 | TalkBass.com
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