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Pre-Gibson Tobias Owners - It's Showtime!

http://www.angel-ark.com/inst/tobias.htm

There's a Model T here. It does have those confounded dots found standard on Pedullas. And almost every other bass. I hate dots.

Interesting about the Killer B. Now all the Killer B owners can try to figure out if theirs is a Burbank or later bass. Mine was post Burbank, but still a quality bass. I sold it when I realized I had no need of a 5 string. That didn't last, of course, but that's another story.
 
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No offense taken, I did my homework but can allow for the possibility of being wrong. I came upon the bass used, so have no idea of its history. The hardware and pickups are identical to an '85 Basic that a friend custom ordered, and it does not have the markings or features of any Standard I have seen or read about. Even the case is identical to my friend's original case,

My best conjecture is that is was a custom - back in the day when the company was still small, you didn't really see many stock models on store shelves...

Regardless, I think it's obvious that Debased is in possession of the most beautiful bass ever made.

hey, right on...i guess worst case scenario, you've got a really sweet tobias...

geshel had a freaking gorgeous 6 string signature that had a zebrano top that was probably the most awesome T i've ever seen
 
I like the cutout. Was there a reason given why he stopped doing that?

It's hard to tell, but I think i see what might be a little logo in the corner of the pickups on 179. EMGs? If so, how does that particular bass sound in comparison to the other? It seems to me that old Tobias basses (at least the ones I've heard, with the smooth rounded top Bartolinis) have a certain tonal quality to them - an earlier poster referred to it as "smoky," that's as good a term as any. Curious as to how EMGs, which in general don't sound like Bartolinis to my ears, would affect that.
 
I mailed Mike once asking about some info on the bass but unfortunately I don't have the mail left and I don't remember much about it. Only thing I clearly remember is that it's a Tobias Classic 5 from somewhere around '89 and that the fingerboard is of pau ferro (like most Tobias' at that time) and that one of woods is purpleheart. Great bass though. Unfortunately it isn't in perfect condition and has a lot of dings and marks, but I don't really care, since the electronics are working fine and the neck has a great feel to it.

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Sweet! What's the top wood? Bubinga? Do you have any close ups?

You're right, it's Bubinga. The other woods are Alder and Wenge. Not sure what type of freboard it has, I'm guessing some sort of rosewood. It also has EMG's instead of Bartolinis, but it was an EXCELLENT choice. This bass just crushes especially live.

Katrina very nearly destroyed this bass. I won't even say how close it was because I don't even want to think about it any more... I would probably rather burn down my house than lose this bass.

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I like the cutout. Was there a reason given why he stopped doing that?

It's hard to tell, but I think i see what might be a little logo in the corner of the pickups on 179. EMGs? If so, how does that particular bass sound in comparison to the other? It seems to me that old Tobias basses (at least the ones I've heard, with the smooth rounded top Bartolinis) have a certain tonal quality to them - an earlier poster referred to it as "smoky," that's as good a term as any. Curious as to how EMGs, which in general don't sound like Bartolinis to my ears, would affect that.

Sorry, missed this. Yep, those are EMGs. They were recommended as replacements for the original Barts. This was right before the time I figured out that change does not equal better;)

Doesn't sound like it did with the original pickups. One of these days I'll find some Barts and install them.