I'm with Jim. I've already offered my views elsewhere about the superiority of the sound (at high levels) from my CA-6 versus my now-history Stewart 2.1. The CA series just gets it done for me.
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Mudbass said:But this won't tell you how an amp performs with a highly dynamic audio source like a bass guitar. A CD isn't very demanding and just about any amp is going to sound just about the same as any other amp. It seems the same as trying to compare the performance of two engines while at idle.
Mudbass said:But this won't tell you how an amp performs with a highly dynamic audio source like a bass guitar. A CD isn't very demanding and just about any amp is going to sound just about the same as any other amp. It seems the same as trying to compare the performance of two engines while at idle.
Passinwind said:If you record the CD without any compression, don't you think you can easily equal or surpass the practical dynamic range that you could achieve with a typically noisy bass preamp and bass? If you record it with lots of compression, you could thermally stress the amp far more than a typical bass player would, and achieve a greater continuous current demand if that's your goal. If you demand still more dynamic range, use a 24 bit recording instead of a CD.
I do agree that the feel of what you're hearing with the CD will be different than what happens when you have pickups and strings in the feedback loop of the amplification system at high volume though. You could mike a cab and record a signal that at least partially reflects that though, if you feel that it's important.
the dude said:All this is *way* to technical for me.
What I can tell you is that between my Stewart 2.1 and Crest CA9 it is a no-brainer. I don't need fancy tests. I just listen.
Joe Beets said:Ok, so which is better, the Crest or the Stewart?![]()
inazone said:My point is, why on earth would I turn down the CA-9 half way, when I need more volume or better tone at a gig, and bring testing gear, so I could say, hey lets be fair and on equal ground with my plx 3402. Why dont we bring a 610 cab to a gig and unplug four of the speakers so we can be fair to a 210 cab.
Jack said:And as if my link to the ProSoundWeb shootout wasnt fantastic enough for you guys, () heres what Crown has to say on the subject:
[Invalid or Expired Link Removed]
Jack.
Brian Barrett said:all the test are cool, but honestly I want what sounds best when I plug into it and play a bass through it. If I have to do a bunch of work to make inputs equal and outputs equal then personally the one that needs all the extra work to make sound even or as good isnt worth the extra work. Why cant that amp just be built to be hotter on the front input if thats why the other amps sound better or have more volume, etc.
Just all sounds like a lot of work, I just want what sound best when I plug into it!
Then what exactly do you mean by "I think it's time to put this whole arguement to rest." Sounds like your spinning a web of your own. We all appreciate your comments greatly and you brought up alot of good points, but to insult a guy when you have even less proof is self righteous and classless.PB+J said:Jim bergantino wrote:
"And I certainly wont try to bait you into my carefully spun, web of deception, like another individual has so cleverly tried to do, to try and convince you your opinions are baseless because they where formed incorrectly or not to my or someone elses standards!"
ster said:Then what exactly do you mean by "I think it's time to put this whole arguement to rest." Sounds like your spinning a web of your own. We all appreciate your comments greatly and you brought up alot of good points, but to insult a guy when you have even less proof is self righteous and classless.
geshel said:To be fair, I don't think anybody is suggesting that.