That's an original Japanese issue machine...if you look at the directions they're in Japanese. I bought it from a guy about 10 years ago, sent it to my tech for a good going through. We used it non stop for about 7 years before it stopped coming to all but the most important shows for us. We use a Fulltone nowadays, but it doesn't sound as good.

It lives in a good climate controlled studio these days and is used on a pile of dubs.
The real secret is good tape and the 'right' tape. It's really picky with the weight of the medium and easy to ruin the heads with tape that's too rough. It likes a 'dry lubricated' tape...specifically this one:
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