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Thats nice lookin!USA Music Man S.U.B. stripped of its truck bed liner and reshot with burgundy mist Reranch rattle cans.
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Hello all rattle canners, new to the forum, and new to forums in general, so not sure if I'm doing this the right way.....but need some advice.
Finally getting around to rattle can finishing my homebuilt Ric 300 lookalike, chambered solid with maple tops. I dyed the maple tops amber first, then sprayed 3 or 4 coats of clear lacquer over that. Used light gray lacquer auto primer, then Duplicolor Flame red for the solid back and my first attempt at sunbursting. It actually looks OK, I think (I would have preferred the red a shade or two closer to brown, it's pretty bright, but hey....I'll be refining it several times throughout the years)....except the obvious places I used rattle can lids to suspend the spray shield over the top. Generally, that technique helped a lot getting the sunburst onto the edges, and protecting from drips (some Duplicolor cans do, some don't), but I did not count on that much "underspray", so you can clearly see where the lids were.
If I can sand the overspray out WITHOUT getting into the amber dye, then the second attempt will be easy, and I won't use can lids again!
Question is: what grit should I start with to try to sand out the red over/underspray, but without cutting below the clearcoat and into the amber dye? Should I wet or dry sand? Circular motion or straight, with the grain?
Thanks!
Klondike - it turns out most of it was just dust, it wiped right off with a soft cloth! I did end up wet sanding the whole thing with 600 and then 1000 wet, to get rid of some drips, so of course now I have to respray the burst to get it back to right (fingers crossed), but I'm relieved it was easy to get that overspray off.I dont have a lot of experience with guitars and I am definitely NOT a luthier bit I am pretty good at being handy and have pkenty if common sence. Lol
I assume that you painted the red over(?) the clear?? IF that is the case I would definitely be wet sanding. Maybe 2k or even 3k to prevent fromcutting the clear. That edge will only require minimal sanding at best but in the end you will want to be using a rubbing compound over the entire bass so everything has a good clean shine. Then clear over the whole thing.
Thinking of doing the same thing. How hard was that baked on finish to get off?USA Music Man S.U.B. stripped of its truck bed liner and reshot with burgundy mist Reranch rattle cans.
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Real easy with a heat gun and 250 grit sand paper.Thinking of doing the same thing. How hard was that baked on finish to get off?
OK, getting close to finished on this what I call "Prototype" Ric 330 bass. Body is chambered alder with 1/8" maple tops. Made the pickguard from scratch, and used the pickups and wiring harness from my Jazz bass (until I can get the time to do a 4-pot build).
My first attempt at a rattle can sunburst "Fireglo", using Duplicolor "Flame Red" from Pep Boys (too bright) and aniline dye on the maple top. The burst pattern isn't great, but from 20 away in a dark bar it probably looks OK. Waiting until it gets warm again to put a can of gloss clear on then start the sanding/polishing. I learned a lot about what not to do for the next attempt, after my grandkids grow up or go back to live with their real parents and I have the time to do it right.
Surfer Joe have you ever used beer and chicken blood??
Not a bass but painted with rattle cans in my yard. I have some of the fabric left over and am thinking of doing it to a P-bass...
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I'd love some details on how to do a "finish-over-fabric" job... Looks excellent!!!
-robert