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recommend an inexpensive di for ampless gigging

I'm contemplating going the ampless route with my Fender p bass equipped with active EMG's. This bass puts out a hotter signal than my active Ibanez! I've been using the DI out from my Markbass CMD121p for years but since everybody in the band uses IEM's I might as well leave the amp at home.
I used to have the Eden WTDI and a modified VT bass with DI but I don't want to fiddle with knobs and just get the pure tone of my p bass.
Is there any advantage in using dedicated di’s (radial or countryman) vs having preamp/di like a sadowsky, or aguilar tonehammer with the preamp function disengaged and used as a di only?
 
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Most of my gigs these days are P straight into a passive Radial DI, no EQ. It does take a degree of faith in your sound man to pull off, so a SansAmp or similar can give you back a degree of control. But if you want that ‘pure’ bass tone, there’s nothing wrong with that approach.
 
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Define "inexpensive" ??
A decent "inexpensive" DI with basic tone shaping, compression, etc. [IMHO] is in the $150 - $300 range.
[In no particular order] - Sansamp, Ampeg, Hartke, 2 notes, Eden, Markbass, Aguilar, MXR and Darkglass are some of the better known vendors.
Each has it's own "flavor" and one may be better for a specific music genre than another, so do some research and factor that into your choice.
I have a couple (Ampeg SCRDI, B7K Ultra and Sansamp VT Bass Deluxe ) that I swap out on my pedalboard - based of type of sub gig - when going ampless.

Here's more info - on potential choices.
The 4 Best Bass Preamp Pedals – Reviews 2017
The Best Bass Preamp Pedalsbass-pedals.com

NOTE that choosing/buying a DI is almost as bad as deciding which bass to buy :(
 
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Most of my gigs these days are P straight into a passive Radial DI, no EQ. It does take a degree of faith in your sound man to pull off, so a SansAmp or similar can give you back a degree of control. But if you want that ‘pure’ bass tone, there’s nothing wrong with that approach.
Other than my FEA Labs OptiFET and the occasional octave box, this is how I roll using a Radial JDI ($200). The JDI's Jensen transformer has such a round, warm tone that I consider it part of my sound. Radial also makes the ProDI for half the price ($100), but uses a lesser quality transformer. I don't have any experience with Countryman, but have heard they're excellent. Really, you can't go wrong with either.
 
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Just an update: I like the Seymour Duncan Paranormal DI as I don’t notice any coloring of my bass’ sound. I have the out of the paranormal connected to a Rolls PM351 for monitoring. At least now I won’t have to bug our sound guy to turn the bass up or down. I will connect the mix for the rest of the band thru the line input of the rolls. I like that the unit has a separate volume control for instrument and line input.
I also tried using the Rolls’ di out but it sends a very hot signal.
Leaving the amp at home for the next gig and hope it works out.
 
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I float between a line 6 helix lt (preamp) plugged into a Radial ProDi for a full amp sound.... (The Di part is the Radial $99 box.)

Back up or small simple stage would be my Ampeg Scrambler Di. I've also just used the ProDI by itself when I want just a bass sound. Usually I want some sort of tone shaping usually.

If I was redoing my small board I would get an Aguilar Tonehammer or a line up of a Ampeg Classic Preamp > DigiTech cabdryvr (speaker sim) into the ProDi. I have really become used to a speaker sim in the sound.

If I knew studio recording was a goal I would get the JDI instead of the ProDi.