. . I've not the time to test equipment. . You posted that it was fantastic and better so young man, the burden of proof rests with you. .
What, RH? You won't be a test mule; arranging and paying for studio time; performing as an artist; capturing, editing, and posting video; and in essence, producing someone's infomercial for a product not commercially distributed? And then, if you like it, endorsing it for
someone's commercial gain? All of this for free, of course? Wow, who is surprised?
Product design, prototype development, and limited production are achievable by many garage, basement, and spare-room enthusiasts. Next steps of mass production, international electrical adaptation
and certification, marketing, distribution, warrantying, return handling, liability, and profitability are matters entirely different. The
REDDI is here and now, available for everyone, with all of the logistics solved. It is proven, road and studio tested by musicians and sound engineers. All of these attributes are included in the price, which in my mind, is of great, proven value.
I am sure the P15 is competent and efficient. It has received notable admiration in its maker's DIY thread. On some levels, to some people, it may be the greatest device of its kind. That's cool. Go with it. Enjoy and make great music! Best wishes for success to its maker, as well. He appears to have admirable skills and ability, as well as being quite personable.
As reflected in many comments above, the P15 doesn't solve all problems, or fill all needs. For example, I have no use for a 2-band preamp that drives a power amp. I also don't need EQ in a DI, leaving tone shaping to FOH or studio engineering. Also, the price of REDDI is related to value. It is reliable. It works great. Its company is customer service oriented. As a working musician the initial price was a bit steep. However, capitalized over years of use, its acquisition price becomes substantially less with each year of use. In this scenario, the P15 doesn't solve a price challenge for me.
I suspected that this thread was merely a setup for a shill infomercial for the P15, right from the start. This is likely untrue. The infomercial began with a passionate and right-hearted promotional
hijack, a common phenomenon around here (no harm, no foul, well maybe
fowl given some ruffled
feathers).
If a certain party really wants to help the cause of the P15, why not send theirs to Talkbass member tombowlus of Bass Gear Magazine. If it is acceptable for their purposes, maybe they'd slice, dice, and dissect that device under their objective microscope, for all the world. It could be a nice P15 next step. However, the voice of the P15 maker is not represented in this thread, and he might want nothing to do with that.