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Yes, those are GB-7s. Hipshot Ultralites are drop-in solution.I'm starting to get convinced these are Gotoh GB-7's currently.
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Lighter tuners will help with neck dive some, but as another member has suggested, our "Dingus" strap button extender would help a lot tooI'm starting to get convinced these are Gotoh GB-7's currently.
Btw, this bass was neglected for a very long time (took me a while before the completely dried out wood of the bridge and fingerboard started to look and feel pretty again). Two of the tuning keys are not working 100% properly, so I was thinking about replacing them and then I read about the res-o-lite and ultralight options. So it's not just the balance thing why I'm thinking of replacing them. But IF I can lose some weight at the headstock, why not?
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Rick would've probably been tickled to see people restoring his guitars and basses. He was a very special dude and I miss him every single dayHard to believe it's been a year since The Bossman clocked out and went Home. I think about Rick a lot up in my dusty little upright bass shop.
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Sunday morning confession; Ed of H. has been kicking around the notion of buying and restoring an Electroline prototype he knows about... itsa bit of a sad mess. I could bring it back.
What Would Rick Turner Do? He'd make it better than new.
Can't argue with wanting a bass that doesn't neck diveYeah already using it. Just trying to combine the replacement I need to do anyway with some headstock weight loss because why not.![]()
Rick would've probably been tickled to see people restoring his guitars and basses. He was a very special dude and I miss him every single day
Ah, the fabled Pat Metheny signature bass....a mid/late-90's EL-434-PM....

Wouldn’t happen to be black would it?![]()
Can't argue with wanting a bass that doesn't neck dive
Good work! Rick would've been proud and I know I sure am!The new-to-me Electroline arrived earlier this week, and I finally had some time to tinker with it. I had asked for it to be shipped disassembled for safety, and it was packed up super-tight in layers of paper and bubblewrap, and then boxed. I love it when someone goes to some extra trouble to ship a guitar safely. It got here in two pieces on purpose.
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Well, I thought I knew what this one was, but not so sure now. This bass is totally passive. There is no preamp, no batteries, though the electronics compartment is routed for them. I do not believe it has been modified. There's no evidence of it anyway. It has no piezos and never did, a heavy Hipshot bridge and just this big ol' Bartolini MM pickup, a Volume and Tone pot , and the switch is a coil-tap. How cool is that?!
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It was in a lot better shape than I thought or expected too. The black finish looked a lot worse, but after some wet-sanding and polishing, it's taken on a bowling ball sheen. I still have some more to do, but I wanted to get it together and playing as soon as possible.
I did work on drop-filling in a few chips in the tortoise celluloid headplate and the cheeks of the headstock, followed-up with more wet-sanding and buffing.
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Then I oil-treated the bare wood of the birdseye maple neck with the same stuff I use on upright basses with bare wood necks. Bolted the neck in the body and set it up with some T-I Jazz Flats. I'd had design on converting it to a fretted bass, but it's such an amazingly good fretless, I'm inclined at the moment to leave it. It's possible that I may source a second fretted neck for this bass... I have one in the shop I started a long time ago but never finished. The fretless is too good to mess with though. (and that's coming from a cat that has a few pretty good fretless basses...)
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So anyway, I was hoping to be able to make out the serial number (this was a hand-signed one, in silver Sharpie pen) but what was left of it was illegible. And after I finished wet-sanding the lacquer chips flush, it's basically gone.
There are these codes in the neck pocket and on the neck that may indicate r B"what model this was intended to be, but I am unfamiliar with an Electroline marked "1-B" or "B-I". Single pickup, black? Bass? Bartolini?
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I do believe, based on the squared-off fingerboard and tortoise headplate that it's mid/late 1990's. Maybe an experimental, maybe a customer request, maybe Rick just being Rick. Whatever it was, it's a very cool bass guitar.
I'll post some more as we go, but welcome 'Lancelot' here to the fold.
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That would be the perfect Electroline for me!I love that it's passive with a MM type of pickup in the MM location (I presume; it looks like it is). I am surprised Rick used a pickup by someone other than himself. Was that not uncommon?