This. The new E and A are going to sound fresher. Just change them all. They’re all old.If the difference in tone works for you, do it. I wouldn't unless a string broke and the set was still pretty fresh.
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This. The new E and A are going to sound fresher. Just change them all. They’re all old.If the difference in tone works for you, do it. I wouldn't unless a string broke and the set was still pretty fresh.
I doubt it's faster, but yes, if strings need changing, it's a good time to give the whole instrument a good cleaning and polishing. I put on some nice jazz, pour myself a glass of single malt and go to work.Faster to cut them all, clean the entire board, polish the fret, put new strings, especially if it's the same size/tension
Came here to say basically this. Your needs are unique to your situation and the sounds that you want to make. My B string is from a different brand than the rest of my strings and it’s also older than the other four. I love the sound I’m getting, so that’s how the bass stays.One exception to the rule is the low B strings on my two 34" scale 5-strings basses. I do mix and match the low B in order to achieve better tonal balance. I find the low B in a typical factory 5-string set ends up sounding different (as in darker and not as clear) from the other four on the basses I have. In these instances, I don't necessarily change the whole set (as in all five). Sometimes I just change the low B and keep the rest; other times, I change the four and keep the low B, depending on how they're doing in terms of overall balance in tone.
Hello,
I notice that my strings (rounds) usually do not age at the same rate (E and A usually get dull faster), which means that when I change strings I would throw away strings that are still in good enough shape by changing the whole set, which is obviously a waste of money, resources, and time.
I'm wondering how good (or bad) of an idea it would be to replace a string only when I start noticing that it has lost most of its sparkle.
With the various options available for purchasing single strings, that would also be a great opportunity to try different manufacturers, or maybe different ranges from the same manufacturer.
I would most likely not mix different "archetypes" of strings (flats / rounds, steel / nickel) to keep a certain consistency in the tone, but playing mostly alone or composing with the band (not gigging a lot or recording at the moment), a reasonable difference in tone would be acceptable to me.
I know that some of you mix and match strings from different ranges / manufacturers, so it is kind of a related topic, but not really the same.
Any good reason not to do that ? Is it common ?
Only issue I can think of would be a large difference in volume output, but everything else I think I can live with (the new string will be brighter for a certain period of time, truss-rod might need a slight adjustment).
Please share your opinionThank you !

That said, I normally replace the whole set. Having a pile of spare D and G's around would drive me nuts.
I am already considering getting singles because I'm playing a multiscale 34.5-36.5 tuned ADADG, and I like even tension, so apart from very specific manufacturers that make fitting sets (Dingwall, Payson) I either have to go custom or get singles from D'addario and the likes, so we're looking at 35 to ~60 $/€ per setPlus knowing me, I'd wind up with all these three-string-leftover strings sets, and then I've got to track down singles to make them whole.
I do believe that refusing to waste resources unnecessarily and saving money at the same time is not being cheapIf you like it, I love it. But, how cheap can you be?
I guess I mostly play on the E and A, hence the faster decay of those, but I have to try different manufacturers and see if it's consistent.I also haven’t experienced strings going dead at different rates. That could be playing style or string brand or both, but it’s not something I’ve noticed.
Another reason for changing the entire set is that it enables you to oil the fretboard (if needed) without making a mess.
Agreed. I would still change the whole set once in a while (albeit less frequently, let's say once a year maybe ?) for cleaning and maintenance reasons. I also want to add that I systematically wash my hands before playing and wipe the strings/fretboard afterwards so the instrument collects minimal gunk.I doubt it's faster, but yes, if strings need changing, it's a good time to give the whole instrument a good cleaning and polishing. I put on some nice jazz, pour myself a glass of single malt and go to work.![]()
Of course ! In a gigging or studio situation, the bass would obviously get a fresh set to start with.If I was gigging, I’d have spare sets on hand for sure.
Only if broken, otherwise replacing only one string will be very noticeable in sound.
I hear you, however the E and A already stand out, and in a bad way, so if I have to choose one or the other...This. The new E and A are going to sound fresher. Just change them all. They’re all old.
