I use and really like the EHX Holy Grail Neo. It has a Spring, Hall and Plate selector switch and one knob. Easy to use and sounds great, totally quiet and works great for bass, no low end loss.
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
Matt, do you notice a more than normal delay when you turn the Wet v5 on until it actually comes on? I can't remember if my old v4 did this as it's been a while, but this v5 has an unfortunate drop in volume and then comes back with the effect on. Really unfortunate. Definitely one of my favorite reverb sounds available, no question.I love a little reverb thrown in as most have posted here; fretless, solo, ambient, textural, etc....
My newest reverb acquisition is the Neunaber Wet Version 5. After owning and trying tons of reverb pedals ranging from production to boutique, with all kinds of switches, profiles, knobs, features, etc., I wanted to simplify a bit.
The Neunaber is a super simple, absolutely gorgeous sounding reverb with two of the Neunaber algorithms installed that you can select via the knobs on the front; the classic Wet and the new W3T. The classic is a really nice "general purpose" reverb that has a little modulation and sounds fantastic. The new W3T is a bigger, deeper, lush, more modulated reverb that is hands down my favorite reverb that I've ever used/heard/experienced. The W3T has all those characteristics but the kicker is that it still sounds incredibly natural. It really is remarkable in my opinion. The audio quality of Neunaber products is pretty legendary and this unit is no exception. For me, it has been one of those inspirational pedals you run into every once in a while. Every time I kick it on, I find myself phrasing things a little differently, experimenting a little more, trying different inversions, etc. and I also look up and see that another 30-45 minutes has gone by.
I also own (and love!) the TC Electronics Trinity2 reverb. This is a more "special effects" reverb pedal and is not for the faint of heart! Massive, modulated, flanged, weird, textural, bordering on insane reverbs and the TC Electronic Toneprint capability as well. I love the T2 but I'm keeping it in reserve for those special occasions calling for something pretty dramatic!
The new Neunaber Wet V5 is on my board with the W3T algorithm selected.
Just my $.02 as usual.
I still feel that the Empress is the best sounding reverb on bass that I've heard. It just has way more than I would ever need. I love that thing.You know, for "standard" reverb I'm kinda surprised but I'm struggling to find a sound I like with my Empress on bass. It's great for all the specialty reverbs, but I just pulled out an old Mesa guitar amp with reverb and that built-in reverb sounds much better for just adding a dash of space, life, and character. I can't get the same effect out of the Empress using hall, plate, room, or spring settings. I'll keep working in it, but I'm definitely surprised at the comparison.
I still feel that the Empress is the best sounding reverb on bass that I've heard. It just has way more than I would ever need. I love that thing.
I wish I never sold my RV-3. Great pedal!Reverb is my favorite effect for bass. I do play solo ambient bass only stuff now, but even when I was in experimental or post punk projects, I always found a place for reverb and have never been "lost in the mix".
Boss RV3- Best for a band setting. It's inherently a cold and trebly sound, but IME, that's what makes it cut through and not get too muddy. It's more creepy than ethereal.
Oceans 11- I love this mainly for the experimental modes. The Mod, Reverse, and Shim settings are gorgeous and great for textures.
EQD Afterneath- This thing seems made for bass frequencies. Creepy, droney, and just fun.
Dr Scientist BITQUEST- Inf Reverb mode is similar to the Afterneath, but more ethereal and ambient.
There are many more, but I'd start with something like the Oceans 11 which had many usable and great sounding modes and you can see what like
Matt, do you notice a more than normal delay when you turn the Wet v5 on until it actually comes on? I can remember of my old v4 did this as it's been a while, but this v5 has an unfortunate drop in volume and then comes back with the effect on. Really unfortunate. Definitely one of my favorite re
I figured it out....I was using the v5 for 100% wet verb (volume loss with the original Wet, but not with the newer W3t). There is a pre delay designed into the Wet and W3t sounds, so without the the dry signal there is a delay because of this. That's what I was hearing. If you have your dry signal coming through then you won't hear what I'm talking about. No a problem as I'm using the Catalinbread Talisman for 100% wet, and adding the Neunaber after that. All good! I actually bought this for the original Wet sound, but am very much falling for the newer W3t sound. I freaking love these pedals.I spent the last 90 minutes testing my V5 and I can't detect the slightest delay in activation and just the teeny, tiniest bit of momentary volume drop (so slight it was barely detectible about half the time depending on how I was playing and I was really, really hunting for it!). The almost imperceptible volume "fade" I'll call it, lasted literally about 1 second until the reverb "fully formed", for lack of a better expression. I am an absolute snob about volume drop in pedals especially reverb. That's why I have returned or flipped a wide variety of other high end, big name reverbs.
I was testing the V5 a dead silent room with headphones on directly out of my Bergantino B|amp.
...and I hear you on the volume drop thing. I've always flipped many a great sound pedal because of volume or low end drop (or both). Really disappointed that companies don't pay more attention to this, but they are mostly designing for guitar players. A lot of the smaller companies are getting hipper to this, though.I spent the last 90 minutes testing my V5 and I can't detect the slightest delay in activation and just the teeny, tiniest bit of momentary volume drop (so slight it was barely detectible about half the time depending on how I was playing and I was really, really hunting for it!). The almost imperceptible volume "fade" I'll call it, lasted literally about 1 second until the reverb "fully formed", for lack of a better expression. I am an absolute snob about volume drop in pedals especially reverb. That's why I have returned or flipped a wide variety of other high end, big name reverbs.
I was testing the V5 a dead silent room with headphones on directly out of my Bergantino B|amp.
I figured it out....I was using the v5 for 100% wet verb (volume loss with the original Wet, but not with the newer W3t). There is a pre delay designed into the Wet and W3t sounds, so without the the dry signal there is a delay because of this. That's what I was hearing. If you have your dry signal coming through then you won't hear what I'm talking about. No a problem as I'm using the Catalinbread Talisman for 100% wet, and adding the Neunaber after that. All good! I actually bought this for the original Wet sound, but am very much falling for the newer W3t sound. I freaking love these pedals.
100% agree. This is the third version of their Wet pedal, and I also have their Wet plugin. I'm a big fan!Whew! I'm really glad you didn't get a bad V5! I really, really adore mine. I've been looking for something like this for a LONG time and I think Neunaber just nailed it. I usually have it set on the W3T side (green) but tonight I really dug into the original Wet (blue) and I really like it too!
What's the main difference between the two?100% agree. This is the third version of their Wet pedal, and I also have their Wet plugin. I'm a big fan!
The only issue with this pedal is that you could easily have two on your board, one for Wet and the other for W3t!!
They have tweaked the Wet algorithm a handful of times now. The Wet is a bit darker. For me it makes for a great light to medium reverb with slight modulation built in. The newer W3t is wider and a bit brighter. I'm loving it for bigger washes of reverb.What's the main difference between the two?