I have nothing against the Chilis, JW Fan, I just don't like where music is going. or should I say the perception of music? There is so much fakery and post-production going on anytime something is 'live' that people are forgetting what live music should even sound like. Then they stop going to concerts because they don't sound so perfect or whatever.
There's a documented negative effect that pornography has on a person's expectations. I believe that this same syndrome is occurring in the music world in the American Idull age.
I respect your observations and your point of view, but -- cutting to the punchline, COMPUTERS are the ultimate game-changer and virtually every human enterprise and endeavor i can think of has been rocked by their ascendancy, and must struggle to coexist if not integrate with the brainy buggers.
Music and particularly pop music is not immune from the wave of culture shock perpetuated by computers, and in fact it is pop's "job" to achieve a dialectical marriage if you will with the new technology, and take it to a new level.
There will always be a place for "traditionalists" like yourself who want to see a quartet of club rockers "do it for real," just as there will alway be an niche audience for, say, Dixieland jazz. But these are retro pursuits and about the backward glance, not the future.
In any case, the "old days" weren't always so great. I have some Doors bootlegs where they sound like the most shambolic novelty act on earth. Their producer, Paul Rothchild, said that their first official live album had over 1,000 edits on it. That it was entitled "Absolutely Live" is not only laughably ironic, but proof that if you print the legend, someone will subscribe.
Anyway, to each his own, and if your mission is to keep live, old-school rock alive, more power to you!
