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RIP Andy Rourke

The Queen is Dead is one of my all-time favorite albums. Haven't listened to them in some years though; I think today will be a Smiths listening day!

Marr was one of my heroes early on (I started on guitar) and I didn't appreciate Andy's playing until later when I realized how seriously underappreciated he was (and overshadowed by Morrissey and Marr, even though all four of them were equally great). RIP.
 
The Queen is Dead is one of my all-time favorite albums. Haven't listened to them in some years though; I think today will be a Smiths listening day!

Marr was one of my heroes early on (I started on guitar) and I didn't appreciate Andy's playing until later when I realized how seriously underappreciated he was (and overshadowed by Morrissey and Marr, even though all four of them were equally great). RIP.

Marr was also my initial source of attraction to The Smiths, but I didn't really get invested until I listened to the bass on This Night Has Opened My Eyes. Marr is definitely a genius in his own right but Andy Rourke added so much with his bass parts, and I wear his influence on my sleeve when I write bass lines.
 
Marr was also my initial source of attraction to The Smiths, but I didn't really get invested until I listened to the bass on This Night Has Opened My Eyes. Marr is definitely a genius in his own right but Andy Rourke added so much with his bass parts, and I wear his influence on my sleeve when I write bass lines.

It's funny, I was a huge Marr fan early on, and as I got into other music (namely prog rock), I didn't care for him much and thought he was highly overrated (Alex Lifeson, Steve Howe, and Steve Hackett became my heroes, then), but I was still a fan of Rourke.

I've come around on Marr - I still think he's somewhat overrated, but he definitely had a unique approach to guitar and made me a better rhythm guitar player. Still, Andy's playing was a huge part of their songs and I think Marr's low-key style makes Andy's playing stand out even more (for the best!).
 
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This is an interesting one... my main exposure to this band has been at jobs, through poor speakers, and even though I've known of the band for decades now I've never really sat and listened.

Twenty seconds into This Charming Man and just... man. People would always focus on the vocals in those workplace experiences, but this bass playing is excellent.

I'm sorry it took this news for me to discover his playing. But I'll be learning his lines now, and helping keep that memory alive.
 
For the best part of a decade before I even really knew what a bass guitar did, let alone started playing, I was continually lectured by music journalists, and friends / fans about what an incredible, important guitarist Marr was.

I just didn't get it at all - with the exception of "How Soon Is Now" his guitar parts were always completely invisible to me - it was always Andy's bass that formed the identity of every Smith's song.

I kid you not, it's literally only in the last couple of years that I even noticed there is a guitar part on "This Charming Man" after the intro.


R.I.P. Andy.

X.