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Roscoe Beck IV Discontinued?

the roscoe beck bass was one of the few fenders to cop the G&L sound. too bad it is gone. how do you think the brad houser bass by reverd would compare?

the roscoe, the tony franklin, pino and the urge II were always on my gas list

i was in austin recently, they are selling his old trace cabs at a music store there.

i thought they were going to remake the hoppus with the p pick up reversed, guess it never happened.
 
Fender never cease to amaze me. They and Roscoe come up with what is probably the most versatile Fender bass guitar EVER, then don't bother to advertise it as extensively as they should have done, so it doesn't sell in huge numbers and then they cancel it.

Idiots.

EDIT: Hope Roscoe has the good sense to take his design and ideas elsewhere, to luthiers who'd appreciate them, like Fodera or Carey Nordstrand.

I'm essentially turning my Skyline 5501 into a Beck using Nordstrand DC's. Nordstrand would be a good fit for him they already make a great pickup for the job.

KO
 
Like Steve Bailey?

Or, you know, Geddy Lee, Victor Bailey, Reggie Hamilton, Marcus Miller...

Fender has done signature basses overwhelmingly with players who are admired by other bassists. They do one or two aimed at 15 year-olds and it's all "Fender sucks!" and so on. When I picked up bass I had no idea about Jaco or Jamerson or whoever, and I'd bet the same goes for most of the rest of you. Fender is a business, they are marketing, get over it.
 
Or, you know, Geddy Lee, Victor Bailey, Reggie Hamilton, Marcus Miller...

Fender has done signature basses overwhelmingly with players who are admired by other bassists. They do one or two aimed at 15 year-olds and it's all "Fender sucks!" and so on. When I picked up bass I had no idea about Jaco or Jamerson or whoever, and I'd bet the same goes for most of the rest of you. Fender is a business, they are marketing, get over it.

I was wrong to say that "fender's restricting their endorsers etc." I was just making a crack on Dirnt.
I certainly do understand that it's marketing. But what's surprising is Fender's ability to create such a good bass, and then undercut it on the marketing end (which they're usually so good at.)
I think Fender produces some great instruments, but their decision to cut good instruments from their line after (what I believe to be) minimal advertising seems counterproductive.
 
I was wrong to say that "fender's restricting their endorsers etc." I was just making a crack on Dirnt.
I certainly do understand that it's marketing. But what's surprising is Fender's ability to create such a good bass, and then undercut it on the marketing end (which they're usually so good at.)
I think Fender produces some great instruments, but their decision to cut good instruments from their line after (what I believe to be) minimal advertising seems counterproductive.

Fender has not had great luck selling anything other than Ps or Js. I don't know if it's because they don't promote them or if it's partly consumer expectations. Going back to the bass that started this thread, the wiring on the RBIVs and RBVs made them exceptionally versatile for passive instruments - but I'd imagine that it was lost on a lot of players - not every bassist is a Talkbass-fueled gear-head (like me ;) ). Instead of trying to figure out why they'd want this thing with a Precision body but sort of Jazz-looking dual coil pickups and some weird switches, they probably went for the familiar - either J or P. I don't know if any amount of advertising could have changed that.
 
Roscoe Beck should take the excellent design of this bass (if he can, contractually) immediately to Lakland. There is a hole in their lineup where the DJ series used to live, and Lakland has great success with those names that might not be recognizable outside of the hard core bass community (Joe Osborn, Duck Dunn, etc.)

The only thing that I would ask is that he doesn't succumb to Lakland's mandate that the fiver have a 35" scale!
 
Roscoe Beck should take the excellent design of this bass (if he can, contractually) immediately to Lakland. There is a hole in their lineup where the DJ series used to live, and Lakland has great success with those names that might not be recognizable outside of the hard core bass community (Joe Osborn, Duck Dunn, etc.)

The only thing that I would ask is that he doesn't succumb to Lakland's mandate that the fiver have a 35" scale!

He may prefer 35" scale. If I were him and "redesigning" MY signature model, I'd choose whichever played best to me.

Roscoe has enough of a rep that he could go with just about anyone. The Fender contract may have been more about "mass production" than the best playing bass to Roscoe.

God Bless, Ray
 
I've got my share of P-basses but felt the need for a "J" bass too. I like things that are a little different so I bought a Rosco Beck V to satisfy my jazz desire. Boy, did I get lucky! The RBV does that jazz thing but oh, so much more. I bought a RBIV to go with it and I'm glad that I have mine now that they are gone! I really think they might just be the best sounding basses that Fender has recently made!

RoscoeBackV002.jpg
 
Thanks, kglas4bass. I was just about to write that Stevens is the place to get a bass as close as possible to the RB. He built Roscoe's original 6-string, on which the 5 was modeled. The only problem is that a Stevens bass will set you back a bit more than Fender's RB.
 

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