• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Roscoe Club

I was wondering when Keith and Kyle would smell the coffee, and apparently they are starting to. Outrageously cool...
I just hope they keep the new medium scaler 'high-end" and don't try and cut too many corners.

I love my Roscoe medium scalers, as I am sure everyone else will. My builds provided Keith with all the templates they will need, so it won't be nearly as much work as you might imagine.

I didn't get in on the registration and missed the shop tour, which sounds like a lot of fun. If anyone sees a YouTube link or any other link the common man can watch, please put a head's up here....

Thanks, in advance....

totally agree, I’d love to see that shop tour as well, I was traveling yesterday and I missed it too.
 
Hey any of you preamp swappers ever tried the Audere Pro Z in a Roscoe? Or maybe you’ve tried it in another bass. Just looking for opinions and input.
I have an Audere in a Century. It took a while for me to find the setting I like, and that consistently works for me. I prefer flat mode (1 of 3 modes), series wiring (parallel and coil splits available), B, M, & T controls all set flat. None of the other "bells and whistles" are useful to me. Since it is OEM for the bass, and I found settings that work, I am happy with it. However, I'm not tempted to put one in another Roscoe.
 
Keith told me to expect about 6 weeks after I send it in. I hate to be without it, but I think it'll help "preserve" the bass for the rest of my days with it. I like to use a 5 for my cover band gigs (even though I only need it for maybe a song a set) as it's easier than changing basses. I could use my Classic P for almost everything I do really, and I have a friends Yamaha 5 string that I can swap to for those songs that really need it. Actually, for the songs that "need" a 5 string, I could do almost all of them by tuning DADG or using an octave pedal and playing up as they are pop/synthy songs anyway. I am seriously debating changing my beloved rig (Empress Bass Compressor and REDDI) to a PodGo or similar. I could have all that preset and use a 4 string. Don't get me wrong, I love my current rig, but I do sometimes think it'd be nice to have a couple effects, and downsize a bit.
 
  • Like
Reactions: staccatogrowl
I have an Audere in a Century. It took a while for me to find the setting I like, and that consistently works for me. I prefer flat mode (1 of 3 modes), series wiring (parallel and coil splits available), B, M, & T controls all set flat. None of the other "bells and whistles" are useful to me. Since it is OEM for the bass, and I found settings that work, I am happy with it. However, I'm not tempted to put one in another Roscoe.

Thank you! I have a few preamps laying around including that one and I was just curious as to what the Roscoe folks thought about it.
 
Well hopefully you like those back up basses, as this guy is saying he waited "nearly 7 months" to get a headstock refinished.

For Sale - Roscoe Classic (1/2 Custom) P/J, extra pickups, pickguard, sweet deal!

Not knocking Keith and co., but things are taking a lot longer than planned at a lot of places (i have an order with another luthier and I was just told it may be about 6 months longer than I was initially quoted- "6 more months" ;) ).
Sweet deal but I have a classic P 4 my 4 string needs already.
 
Last edited:
  • Like
Reactions: armybass
Speaking of Africa (hint hint), anyone see a wood species like this before?

RoscoeHeadstock(1).jpg
 
Last edited:
I've played my SKB 6 at church a few times since I got it but almost never play electric bass on gigs these days. I play three regular gigs each week and all are unamplified upright bass. Last night I played a gig on electric bass and used the SKB. My amp is a Mesa WD-800 head, Mesa Subway 112 and a Subway 210. The SKB was a joy to play and sounded fantastic.

I was quite impressed with the fact that I could play up the neck and the tone and clarity was so good. Most wood necked electric basses loose clarity as you move up the neck but the notes on this bass sound clear and defined. I was very comfortable playing it and there is a real feeling of freedom playing a bass that does not have areas on the neck you have to avoid because of inferior tone.

I paid more for this bass than any other electric bass I have owned and am so glad I bought it. It really is a fantastic bass and is so pretty as well.

94300a4e-1d37-460d-a5bc-21b5861669fd-jpeg.jpg




a1dc82a1-7a56-49a4-84e0-0b92d5f58ef5-jpeg.jpg
81bb0f33-807d-4d56-a090-768cf73940fa-jpeg.jpg
 

Latest posts