Yeah, that’s probably the nicest fretless I’ve played or owned. Dumb to sell it. The soap bar quilt maple is really nice as well.[/QUOTE
I too wish that I had given this one more time
if it’s any consolation Steve, I made the same mistake
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Yeah, that’s probably the nicest fretless I’ve played or owned. Dumb to sell it. The soap bar quilt maple is really nice as well.[/QUOTE
I too wish that I had given this one more time
if it’s any consolation Steve, I made the same mistake
Yeah, that’s probably the nicest fretless I’ve played or owned. Dumb to sell it. The soap bar quilt maple is really nice as well.
a) Boost the mids and or treble a smidge, or b) roll a smidge off the bass of the Century 5. c) If you slightly favor the bridge pickup in your blend, add some low mids to that. I use all of these in my Roscoe experience according to the mix need.I used my Century 5 last night and it was great. But, my sound guy says my P (with flats) has more definition out front. So what can/should I try? The band seems to like the 5.
So, after saying the above, this is still around For Sale - Roscoe Classic P bass 5 string and tempting me, but I'm not sure. I used my Century 5 last night and it was great. But, my sound guy says my P (with flats) has more definition out front. I'm not sure how that can be. It seems my active soap Century 5 should be equally as defined? Yet, I go to gigs (Train, Jason Isbell, Pink, on and on) and everyone is playing a P bass and they sound so amazing. Full, smooth, deep, etc. But I don't feel like I get that sound. I tried putting rounds on my P but I just didn't like them on that bass. And I like to use it with flats for other types of gigs, not the cover band.
So what can/should I try? The band seems to like the 5. Sound guy likes the P. I'm torn. Maybe I should try rounds again and play the bass at a gig? I only tried them at home.
Not looking to "justify" a purchase. I'd rather not as we have $3K in wisdom teeth removal coming up for the kids. But...
a) Boost the mids and or treble a smidge, or b) roll a smidge off the bass of the Century 5. c) If you slightly favor the bridge pickup in your blend, add some low mids to that. I use all of these in my Roscoe experience according to the mix need.
Both of my Soundmen tell me that they prefer my Pbass (5 and 4) with flats over my modern 5’s with rounds in the the live mix. They say it sits in the mix better and they can run me hotter and it never gets boomy sounding.
It really makes sense though because rounds tend to bloom much more while flats decay quickly and the flats are more focused.
So, after saying the above, this is still around For Sale - Roscoe Classic P bass 5 string and tempting me, but I'm not sure. I used my Century 5 last night and it was great. But, my sound guy says my P (with flats) has more definition out front. I'm not sure how that can be. It seems my active soap Century 5 should be equally as defined? Yet, I go to gigs (Train, Jason Isbell, Pink, on and on) and everyone is playing a P bass and they sound so amazing. Full, smooth, deep, etc. But I don't feel like I get that sound. I tried putting rounds on my P but I just didn't like them on that bass. And I like to use it with flats for other types of gigs, not the cover band.
So what can/should I try? The band seems to like the 5. Sound guy likes the P. I'm torn. Maybe I should try rounds again and play the bass at a gig? I only tried them at home.
Not looking to "justify" a purchase. I'd rather not as we have $3K in wisdom teeth removal coming up for the kids. But...
Confirmation bias, perhaps? They hear with their eyes. .Both of my Soundmen tell me that they prefer my Pbass (5 and 4) with flats over my modern 5’s with rounds in the the live mix.
If you try "b," add some (makeup) gain to the signal to make it stand out more.I have done/do "a" and "c" options. I do think that helps.
Ordered 2 sets of Dunlop flats (40-100/120) for my P4 and Century 5. See what happens.
I'm old school cause I am....old. But I've been using flats for over 40 years and never change a set unless one breaks. Never have broken a string. Mostly Chromes, TI Jazz & LaBella DTF.

The Roscoe bridge is thicker, it follows the radius of the fingerboard- the one you have on there now looks like it. The stock Hipshot (from Hipshot, not the Roscoe special order one) type A has a thinner base plate.Hi all! New owner of a circa ‘97-‘98 LG 3000. It’s far from a closet queen, but I like ‘em a bit rough around the edges.
One oddity though. I’ve done several searches of this thread and others, and I think I figured it out, but I don’t see the exact same issue. Forgive me if I missed something.
There’s a thick black layer (“Uber shim”?) between the neck and the body, looks like ebony. Seems like this may have been done to facilitate swapping the original bridge for a brass Hipshot A, based on what I’m reading here about the proprietary Roscoe bridge being thinner. Any thoughts?
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