TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
Joe-
It was good seeing you today. Your Koa bass is UNREAL. The set up and feel of the neck was great. I kept talking about with my wife. She loved the way it looked. It got me excited about receiving my lg.
On a random note- anyone close to the Atlanta area should check out the "bodies" exhibit downtown. Fascinating stuff. My wife and I both found it very interesting.
[Invalid or Expired Link Removed]


My first Roscoe! It plays and sounds great!
I heard this sound clip from Greg at Rocket Music, and just knew I had to get it: Invalid Link Removed


I just got back from a four-day trip which included a Greensboro layover. So, I got to spend the afternoon with Gard at Roscoe World Headquarters and it was a pleasure meeting everyone including the man himself. For every Roscoehead out there this place is our Graceland. I was hot, sweaty and covered in sawdust; I loved every minute of it. I can't wait to get back there next week.
While I was there I couldn't resist the wood pile. I mean, who could? The shear volume of "Dear lord that's awesome" flame maple alone is amazing.
After going through just about all of it I picked out two tops: a flame maple top that shimmers so much it doesn't need finishing and a quilt myrtle that no photograph can justify. The flame maple is for a super secret hush hush black ops project that not even the NSA knows about.
The myrtle is for a Century 3006 fretless to be built after the first project. I originally wanted a BEM Dymondwood board and really didn't care what kind of top I went with. But, then after finding this myrtle we decided that black Dymondwood would be best. The BEM would just clash way too much.
I also had the idea of making this bass 100% American made (or grown). The only problem I'm running into with this is I really want a wenge wedge neck. This idea might need to be modified. Any ideas?
But, anyway, here's the myrtle on top of the wood pile:
View attachment 348623View attachment 348624
I just got back from a four-day trip which included a Greensboro layover. So, I got to spend the afternoon with Gard at Roscoe World Headquarters and it was a pleasure meeting everyone including the man himself. For every Roscoehead out there this place is our Graceland. I was hot, sweaty and covered in sawdust; I loved every minute of it. I can't wait to get back there next week.
While I was there I couldn't resist the wood pile. I mean, who could? The shear volume of "Dear lord that's awesome" flame maple alone is amazing.
After going through just about all of it I picked out two tops: a flame maple top that shimmers so much it doesn't need finishing and a quilt myrtle that no photograph can justify. The flame maple is for a super secret hush hush black ops project that not even the NSA knows about.
The myrtle is for a Century 3006 fretless to be built after the first project. I originally wanted a BEM Dymondwood board and really didn't care what kind of top I went with. But, then after finding this myrtle we decided that black Dymondwood would be best. The BEM would just clash way too much.
I also had the idea of making this bass 100% American made (or grown). The only problem I'm running into with this is I really want a wenge wedge neck. This idea might need to be modified. Any ideas?
But, anyway, here's the myrtle on top of the wood pile:
View attachment 348623View attachment 348624
Argh!!! Ok, I'm modifying my first plan and compromising on the All American grown bass. Here's the idea so far:
Century 3006
Myrtle top
Mahogany body
Wenge shim
Black lined Dymondwood board
Wenge wedge neck
Black hardware
Oil finish
Roscoe Barts
I hope I don't change my mind!