This is subjective. This is solely personal. Our touch, tone goals and music genres played are unique.
I started with flats because that’s all that existed widely. In the ‘60s Fender, Gibson etc. were flats. New basses came with flats. Then! Bam! Rotos became widely available. Though their pristine new sound lasted about 30 minutes they projected tone with the same bass and amps unchanged.
I use rounds of different manufacturers and types. I love rounds because with a change of my touch they can sound like flats. They can make that upright quick decay doghouse thump. If the next tune requires gank and clang and raunch it’s a touch change.
Beck Ola - Spanish Boots to good Motown same bass. A contemporary 5 with rounds can sound like an upright in jazz when I vary touch. It can take lifting the fretting fingers slightly. It can mean placing plucking index finger parallel to strings bent second knuckle from tip.
While flats can sound sweet and full I don’t lock myself into one sound.
I started with flats because that’s all that existed widely. In the ‘60s Fender, Gibson etc. were flats. New basses came with flats. Then! Bam! Rotos became widely available. Though their pristine new sound lasted about 30 minutes they projected tone with the same bass and amps unchanged.
I use rounds of different manufacturers and types. I love rounds because with a change of my touch they can sound like flats. They can make that upright quick decay doghouse thump. If the next tune requires gank and clang and raunch it’s a touch change.
Beck Ola - Spanish Boots to good Motown same bass. A contemporary 5 with rounds can sound like an upright in jazz when I vary touch. It can take lifting the fretting fingers slightly. It can mean placing plucking index finger parallel to strings bent second knuckle from tip.
While flats can sound sweet and full I don’t lock myself into one sound.