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Round wounds vs flat wounds

Round wounds vs flat wounds. Which do you prefer?

  • Round wounds

    Votes: 156 46.7%
  • Flat wounds

    Votes: 178 53.3%

  • Total voters
    334
Round wounds? What’s that?

The only round wound I ever had wasn’t even round. The angle of the bullet made it more of an “oval wound.” Well, what’s left of that .38 scar some 48 years ago…
B6F7BA18-8B1D-474F-A339-2B993F3054FC.jpeg
 
Now I want to hear flats on a piano!

Makes me wonder how piano strings were constructed in the early days of the instrument. Dunno when wrapping metal around a core came into being.
If I've browsed the following article correctly, widespread adoption of 'overspun' (wound) strings dates back to the "last quarter of the 17th century" (their introduction is a little earlier); 'twisted' (braided/rope-like) metal strings were introduced earlier, during the 16th century:

Link Removed
["Strings in the 16th and 17th Centuries" by Djilda Abbott and Ephraim Segerman; The Galpin Society Journal, Vol. 27 (May, 1974), pp. 48-73]

See also these other articles confirming a ca 1660 date for the invention:

Wound strings for bowed and plucked instruments from the late 17th century to the early 19th century: what do we know? | Aquila Corde Armoniche

Wire World : Nippon Steel SG Wire Co., Ltd.

According to the latter, a Mr. Hamilton is the inventor of flatwound strings (1874); again, their acceptance among players of violin-family strings was gradual.
All-metal roundwound strings took over in the American acoustic guitar realm around 1920.
IIRC, catgut remained the core material of choice in metal flats for orchestral bowed string instruments until after WWII, when steel-core/steel-wound strings appeared.
 
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1006 votes, and 18 pages of posts in this thread started a week ago: Why do so many players love flats?

I remember when I joined talkbass ... I got criticized for starting threads about topics already talked about, then I got criticized for commenting on really old threads ... then I just adopted an attitude that I really don't care if I get criticized
 
Flats because I like that ‘60s tone .. ya know!

S.O.U.L. (?) - Music

Using LaBella flats and playing between the neck and the Klein Epic ‘59 pickup …
Nice tone. I added a mute to the underside of my P bass bridge cover. It really gives that Jamerson sound, although I only use it to record with.
 
I remember when I joined talkbass ... I got criticized for starting threads about topics already talked about, then I got criticized for commenting on really old threads ... then I just adopted an attitude that I really don't care if I get criticized
Dude, let me now criticize you about not caring about being criticized. It’s the TalkBass way!
 
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I remember when I joined talkbass ... I got criticized for starting threads about topics already talked about, then I got criticized for commenting on really old threads ... then I just adopted an attitude that I really don't care if I get criticized
A simple statement of fact is criticism? :wacky: OP wanted some opinions, I directed them to 18 freshly-minted pages of lovely reading, and a comprehensive answer to the question he posed.
 
A simple statement of fact is criticism? :wacky: OP wanted some opinions, I directed them to 18 freshly-minted pages of lovely reading, and a comprehensive answer to the question he posed.
Also true. Ric is right that one can't really win whichever way one decides to go when tackling an oft-discussed topic on the forum; however, giving links to earlier threads is being actually helpful, unlike mere "do a search (or get off my lawn)" impoliteness.
 
Rounds.

Speaking of which, when you guys talk about Lo Riders, list the word stainless or nickel with the post. There's a night and day difference, and otherwise, you can't expect people to know which type of LR you're discussing since Lo Riders are made in two flavors.