Wow, it seems like the prevailing complaint is too much bass drum, or too much mega-bottom in a general sense.
Can the guys be this oblivious to this? I mean, I know they're busy touring and all, so it would make sense that they don't have the time to read any social media on the webzz. But this seems to be a pretty common denominator at many of their shows. There's an entire thread about it elsewhere here at Talk Bass as well.
http://www.talkbass.com/forum/f30/rush-barclays-center-last-night-problems-927284/
Oh well ... it's like I said in that thread ... I feel fortunate to have seen them back when sub-lows weren't a part of pop-culture and weren't even possible due to the limits of the equipment available then. I saw them twice in the early 1980s and both shows were stellar sounding. (Perhaps the predominant atmosphere of ~blue smoke~ at shows in those times had something to do with it ... uhm ..... heheh ... ).
The two shows I saw them perform sounded amazingly good. Perhaps the Tucson Community Center had good properties or something, I really don't know. Well, like I said, it was a time when there was less emphasis placed on sub-lows in music generally speaking, and sound people didn't have any preconceived notions about thumping dance music low end either. Some of those things may have played a part in the quality of Rush' live sound then. Hard to say, really.
All I actually DO know is that this thing about "too much bass drum" or "overpowering low end" seems to be a pretty common observation by a number of members here when they comment about recent Rush live shows.
That same set of ideas also seemed to be the common complaint about the Clockwork Angels album in this very thread when it was first released. Of the complaints that were voiced, the overwhelming majority seemed to address "too much low end in the mix".
So ... bottom heavy both live and on CD.
Wonder what's up with that?
NOTE: I cannot comment about my own observations of either the current live sound or the Clockwork Angels CD, as I have experienced neither as of yet (CD ordered via Amazon ... c'mon Big Brown Truck!! Bring forth mine newest Rush CD!). All I'm saying here in this post is that I seem to have noticed a commonality amongst complaints about both their live shows' sound and the new album's sound itself.