Is a S.U.B suited for someone that has no current interest in slap style? I'm more of a metal / prof guy myself.
They are fun to slap but great for all styles. From
wikipedia:
"The StingRay has been a favorite of several influential bassists, some of them renowned for their slapping technique, such as
Louis Johnson,
Flea,
Bernard Edwards and
Guy Pratt. In its fretless form the StingRay helped define
Pino Palladino´s sound with
Gary Numan from 1982 onwards and subsequently as session bassist. The pre-Ernie Ball MusicMan Stingray is the main instrument of
Paul S. Denman of the
Sade band and it has been featured on all of their albums and live recordings.
Benjamin Orr, bassist, co-vocalist and founding member of
The Cars, is well known amongst fans to have played a circa 1977 Inca Silver Music Man StingRay with maple neck/fretboard and black pick guard. This bass was lost in a fire that swept through Orr's Boston apartment in the early 1980s, along with a cherry red 1967 Vox Constellation bass with an unusual black head stock.
Cliff Williams of
AC/DC has commonly used the StingRay.
Rex Brown of
Pantera used the Stingray mostly in the
Vulgar Display of Power era.
Queen's
John Deacon was often seen playing a StingRay (his is on display at the
Hard Rock Cafe in
Cleveland, Ohio.
Link Removed), as was Rick Wills of
Foreigner.
Tim Commerford (AKA Timmy C) of
Rage Against the Machine played the StingRay almost exclusively until around 1995. Ross Valory of
Journey has used a StingRay in recent years, while
Randy Jackson used a custom purple/white polka dot StingRay on Journey's
Raised on Radio tour.
Tony Levin has used both four- and five-string StingRays, and also commissioned Music Man to build him a custom 3-string version.
Bernard Edwards of
Chic used the StingRay bass almost exclusively. After his death in 1996, his bass was inherited by
John Taylor of
Duran Duran. John Bentley of
Squeeze uses early 2 EQ StingRays.
Eric Wilson of
Sublime played a StingRay on most of the band's early recordings.
Other StingRay players include:
Tom Hamilton of
Aerosmith, session player
Bob Birch,
Jamie Stewart of
the Cult,
Simon Gallup of
The Cure,
Mark Hoppus of
Blink-182,
Mike Herrera of
MxPx,
Joe Lally of
Fugazi,
Max Green of
Escape the Fate,
Alex James of
Blur,
Steve Mackey of
Pulp,
Colin Greenwood of
Radiohead,
Jonathan Gallant of
Billy Talent,
Martyn Walsh of
Inspiral Carpets,
Dougie Poynter of
Mcfly, Gareth McGrillen of
Pendulum (occasionally during live performances),
Jesse F. Keeler of
Death From Above 1979,
Justin Chancellor of
Tool,
Jeff Caxide of
Isis,
Richard Wells of
Texas Hurricane,
Rick Johnson of
Mustard Plug,
Matt Wong (formerly of
Reel Big Fish), Johan Larsson of The Supervisors, Rahul Ram of
Indian Ocean,
Rob Derhak of
moe.,
Roger Manganelli of
Less Than Jake,
John Moyer of
Disturbed,
Tom Crease of
Frenzal Rhomb,
Jesse Buglione of
Lagwagon,
Johnny Christ of
Avenged Sevenfold,
Nikola Sarcevic of
Millencolin,
Mark King of
Level 42,
Anthony Setola, Larry Hubbard of Curtom artist Leroy Hutson, the Dells and Bassx,
Dave 'Phoenix' Ferall of
Linkin Park, Marc McKnight of
Atreyu, Chris Batten of
Enter Shikari, Jonathan Kogan of
Area 11,
Mark Mendoza of
Twisted Sister,
Justin Hills of
Sleeping with sirens,
Niall Hone of
Hawkwind, Louie Talan of
Razorback,
Pedro Aznar of
Serú Girán, Jaime Preciado of
Pierce the Veil,
Riker Lynch of
R5,
Tim Foreman of
Switchfoot, Jia "Pie" O'Connor of
Parkway Drive,
Ross Valory of
Journey,
Connor Ball of
The Vamps, Kelen Capener of
The Story So Far, and
Calum Hood of
Five Seconds of Summer.
Dougie Poynter of
McFly, having played a variety of basses throughout his career, currently plays a Stingray HH 4 string.
Gail Ann Dorsey, top session bassist and vocalist (bassist for David Bowie, Lenny Kravitz, and Bryan Ferry, among others), Steve McKinley, bassist for
Joel Kosche (Collective Soul).
The StingRay also found itself especially popular with
shoegazing artists of the early 90s, likely because its tone was so effective at cutting through the multilayered distortion characteristic of the genre. Steve Queralt of
Ride, Nick Chaplin of
Slowdive, Russell Barrett of
Chapterhouse, and Fernando Gatillo Belazaras of
Invalid Link Removed, all found their sound in the StingRay, among others. Pino Palladino played a Music Man StingRay Fretless Bass. Pino Palladino was the bass player for the Paul Young band. His unique style was featured on Gary Numan's 1982 album I, Assassin, in which his fretless bass playing made a prominent contribution to the overall sound of the album. He went on to play fretless bass with a healthy number of high-profile artists that include David Gilmour, Tears for Fears, Pete Townshend, Peter Gabriel, Joan Armatrading, Phil Collins, Chaka Khan and Don Henley."