Just sort of curious. Nearly every P-J bass I've ever seen is a essentially a P-bass (i.e., P body and neck) with a J bridge pickup added. The big exception is Sadowskys, where the norm seems to be a J-bass with a split P pickup in place of the neck jazz pickup. Any reason that anyone knows of for this? Or is it just my imagination?
Funny you should bring this up. i figured if you had a J body, it should be called a j-p bass instead of a p-j....but that's neither here nor there. i don't he's the only one. i'm pretty sure lull does it too, i know some people have issues with Ps on J bodies. I do and so does nino. (which is why i'm getting a bell cover over mine )
I believe (though I'm no expert) Fender did that first with JP-90. The current Aerodyne series have J-body and P/J setup. I always thought P is masculine and J is feminine
Yes, of course you can. My comment was really just how rare the P body seems to be on the Sad P-J -- I couldn't find a single picture of one on the Sadowsky website or in relevant threads here.
"My comment was really just how rare the P body seems to be on the Sad P-J" I believe Mr. Garcia on this board is offering one for sale. May be gone by now.
Fender's also doing the P/J thing on J bodies with the Reggie Hamilton Signature and upcoming Frank Bello Signature models. I prefer P/J pickups on a P body, but these (and the Sadowsky of course) look good to me.
When I first saw this thread, I was all over the "j's are sexier" thing. Then bikeplate had to go and spoil my fun!
Anyone have experience with the Sadowsky P/J's with the reversed P pickup? The bass coil is closer to the bridge and the treble coil is closer to the neck. It makes total sense to me, especially for a 5ver, and especially mixed with a J. I'm just wondering if it still has the classic P bass tone when you solo the P pickup. Any users out there?
I can't speak to the Sadowsky specifically, but my experience with reversed P P/J setups is that they don't do the classic P-bass tone very well. The reversed P generally has better string-to-string balance... which is a good thing if you're looking for that. But the beauty of the classic P pup IMO is having a sweet singing tone on the D-G strings and fatter tone down low. I agree with you that the advantage to reverse P/J is when both pups are used together, especially when slapping: you get more growl on the low strings and better 'pop' on the D and G. But some players (Vic Wooten) prefer standard P/J for all styles.