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Very nice Mouse 30. I almost think yours may have been cut from the same block as mine.
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Your Mouse 30 looks really great. Without fretlines, how hard was it for you to solidify your intonation? Even though violinists pull this off with even shorter scales, I was concerned enough to get fretlines on the Mouse.
I was a little nervous when I ordered it since I had only played 35" scale fretless basses at the time. I'm kinda odd in the sense that my fingerboards are unlined, but I have every position dotted. My first fretless was purchased used and it was set up like that, so I learned like that and continue ordering them like that. After I got the Mouse 30, I learned that my dot pattern came in really handy since I'm constantly switching between 35" scale basses and the 30" scale Mouse 30. I think I had my MB2 for about a year or so before I purchased the Mouse 30, but it really didn't take much time to adjust. Your window of intonation may be a tad smaller, but the warmth and lack of treble tends to mask the milder flaws in your intonation.
I have to say, Spade, your Mouse is stearing my decision process. Its a beauty. (Incase, you haven't seen my thread, I'm deciding between a MB-2 and a Mouse) Yes, I'm a fan of unlined fingerboards. Scale is an issue for me in that 1. I'm a big guy and I'm worried that such a small instrument I'll be mistaken for (gasp) a guitar player. 2. Potentially, I could be doubling between this and a DB. So going between 41 scale and 30 could confuse the fingers. I'm more of a "every other position" marked on the side.
....my 6 that I have on order will have an 1/2 ash and 1/2 alder body, with ash on the bass side to make the B sound solid and alder on the treble side to warm it up. Will it work? Probably won't know until I get it, but no harm in trying, eh?
hey sam, what top are you getting on the "bipolar" six? also will it have your signature thumbrest?
In Shibuya? That's where I first saw a Rob Allen.I played a great Mouse in Tokyo. Didn't buy it since if I was going to get a Mouse, I'd just contact Rob and work one up.
Bass shopping is fun in Japan, though![]()
In Shibuya? That's where I first saw a Rob Allen.
Sure is a great place to shop gear and this thread continues to be a GAS inducer.![]()
Here's my almost complete MB-2. Rob says strings should be going on some time tomorrow
the top is bastogne walnut
Rob had a one piece figured/burled redwood top. Rob told me it would be from the same chunk o' this. Negative on the thumb rest on this one.
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Rob is one of those builders where literally every bass he makes looks like 'the one!' I mean, every single bass on this thread (and any other Rob Allens I have seen in person or in photos) are mind-blowingly beautiful, yet each has it unique aesthetic! Man, what an artist!
Here's my Mouse, in some outside shots:
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And in some shots Rob took:
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The 'true' color shading is somewhere between those two sets of photos.
Let me say again how much I love this instrument! I have been fortunate enough to have seen/played a number of great instruments, and this Mouse is one of the most grin-inducing basses I have ever encountered!
Oh, and I blame (credit!) Joe Smithberger for pushing me over the edge to get a Mouse!![]()
I was told at the time I bought mine (below) that it was a rare red wood of some kind, and therefore a limited edition. ?? Wondering when yours was made. Possibly the same wood as mine?