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Show us your Martin Keith Basses

Thanks. My current one (which I'm keeping for sure) just volume/blend with soapbar pickups and a mahogany body (it's also 32" scale). I'm a bit hesitant to go passive if I use magnetic pickups for this next hypothetical bass, mostly because I can see myself wanting to cut out some upper midrange without killing the highs. I really like my current 6, but I want this next one to have a different vibe. But, you can do a lot with the tone between technique and blending two pickups. Honestly, at this point, I'd trust whatever Martin suggests since he knows my other instruments so well. We'll see.
I've switched to all passive basses. With the right woods and pickups I've found more benefits to going passive.
 
Yes, I have big and warm and full in other basses; that’s not what I’m after really on this one.
I'm always looking for a similar theme to the same basic sound.

Really excited to see what you end up choosing! The best thing that I've learned, as I'm sure you have as well, is to let someone like Martin know the sound you're going for and they'll get you just that. Not every luthier can. I love that about Martin.
 
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My next one is 32" scale E to F, semi hollow, I believe with the special neck with the softer wood that @emjazz mentioned. Mahogany back and sides, rosewood board, the rest TBD. @smperry, I am looking for almost a jazz guitar kind of sound for chords in the upper register - dark sounding.
 
My next one is 32" scale E to F, semi hollow, I believe with the special neck with the softer wood that @emjazz mentioned. Mahogany back and sides, rosewood board, the rest TBD. @smperry, I am looking for almost a jazz guitar kind of sound for chords in the upper register - dark sounding.

Cool. Yes, 32" scale, E to F for my hypothetical bass too. Are pickups TBD too, or do you have a plan there? I don't think I want to go with Citrons on this next bass. Even though I like them on my chambered fretless, I think they'd be bigger/darker sounding than what I want for chords (which I gather is different from others).
 
Cool. Yes, 32" scale, E to F for my hypothetical bass too. Are pickups TBD too, or do you have a plan there? I don't think I want to go with Citrons on this next bass. Even though I like them on my chambered fretless, I think they'd be bigger/darker sounding than what I want for chords (which I gather is different from others).
Have you talked pickups with Martin yet? What are you looking from the pickups? The Nordstrand Zen Blades are super cool if you want a narrow aperture but a little more modern, and very dynamic.
 
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Have you talked pickups with Martin yet? What are you looking from the pickups? The Nordstrand Zen Blades are super cool if you want a narrow aperture but a little more modern, and very dynamic.

I've only mentioned jazz type pickups or piezos for more acoustic feel. My walnut bass has Nordstrand Fat Stacks that can be switched into single coil mode, and that's a tone I dig (when I turn down the sizzle a bit). Zen blades make a lot of sense, and are high on my list, depending on what Martin thinks of course.

@emjazz @77stingray Here's me plunking away on my six unplugged. (I don't think others can see if we're not linked on Instagram, but you're not missing anything.)



You can imagine some simple strumming like this in a loop with a bass line or melodic line going could be a bit of a mess if the tone can only be what I'd call warm/full. I want something that can be clear and not necessarily take up a lot of space, if that makes sense.

Edit: I'm not sure that worked, but you know me on the gram...
 
I've only mentioned jazz type pickups or piezos for more acoustic feel. My walnut bass has Nordstrand Fat Stacks that can be switched into single coil mode, and that's a tone I dig (when I turn down the sizzle a bit). Zen blades make a lot of sense, and are high on my list, depending on what Martin thinks of course.

@emjazz @77stingray Here's me plunking away on my six unplugged. (I don't think others can see if we're not linked on Instagram, but you're not missing anything.)



You can imagine some simple strumming like this in a loop with a bass line or melodic line going could be a bit of a mess if the tone can only be what I'd call warm/full. I want something that can be clear and not necessarily take up a lot of space, if that makes sense.

Edit: I'm not sure that worked, but you know me on the gram...

Video doesn't show for me. :(