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Show Us Your Rob Allen Basses Part III

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Some Rob Allen action from our CD Release Party on Saturday night...

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Looks like my bass is done. Talked to Rob today. He just needs to put the knobs for the mag on and just tweak a few things in setup. His camera is in the shop, so no pics unfortunately. Shame as I love his pics of the basses. Oh well.

In better news, it should ship this week (fingers crossed).
 
Looks like my bass is done. Talked to Rob today. He just needs to put the knobs for the mag on and just tweak a few things in setup. His camera is in the shop, so no pics unfortunately. Shame as I love his pics of the basses. Oh well.

In better news, it should ship this week (fingers crossed).

He definitely has a better camera than me, and I could use that nice black background.

I'm sure you're pretty psyched, please post some pics after it arrives. Mine is still a couple of months away ... :bawl:

EDIT: At least Rob should have his camera back by then :)
 
He said he had a backup camera but it's not as good. You guys will have to settle for my pics. :)

This was basically a 10 month build soup to nuts from the time I put the deposit down.
 
Exploring the idea of a part fretted, part fretless custom with Rob. Im circling on a fiver with BEA fretted and DG fretless. Im not comfortable on most sixers (i just bought the ibanez ashula hybrid six as an experiment)

Rob suggested a split fingerboard with two kinds of wood for the best sound and two discreet outputs. The bass would be a full custom based on an unbound mb2. A lot of the design language will be based on the asymmetry of the fingerboard split.

A lot of refinement to follow. I imagine we,ll be seeing it late this year.

massive heard thinning to follow (but not the RAs)
 
I know Rob really enjoys working with us on these custom basses. It brings more to the table than just selecting various woods and finishes - not that there's anything wrong with that :)

It's great to work with a gifted craftsman and artist who shares our interest in making instruments that meet our individual goals and desires.
 
Exploring the idea of a part fretted, part fretless custom with Rob. Im circling on a fiver with BEA fretted and DG fretless. Im not comfortable on most sixers (i just bought the ibanez ashula hybrid six as an experiment)

Rob suggested a split fingerboard with two kinds of wood for the best sound and two discreet outputs. The bass would be a full custom based on an unbound mb2. A lot of the design language will be based on the asymmetry of the fingerboard split.

A lot of refinement to follow. I imagine we,ll be seeing it late this year.

massive heard thinning to follow (but not the RAs)

Interesting concept. IDK, given the number of 5ers you have, since you mentioned 6 strings, maybe high C it?
 
I know Rob really enjoys working with us on these custom basses. It brings more to the table than just selecting various woods and finishes - not that there's anything wrong with that :)

It's great to work with a gifted craftsman and artist who shares our interest in making instruments that meet our individual goals and desires.

Well, you can hear the enthusiasm from him when you speak to him on the phone. I know I did when we spoke yesterday.
 
The ethos I'm hoping to manifest in my RA custom.

"Wabi Sabi
...The wabi-sabi aesthetic includes asymmetry, asperity (roughness or irregularity), simplicity, economy, austerity, modesty, intimacy and appreciation of the ingenuous integrity of natural objects and processes.
 
Been thinking that.

if you had only two fretless strings (the 3 lower strings would be fretted), would you want a D-G or G-C?

Thinking the D-G would have more usable range.

6 of one, half dozen of the other.

I'd probably opt for the high C, which I'll most likely do when I get a Deep 5 since 6 strings isn't an option. The compromise between a 5 and 6 is that Rob's basses sound great in dropped D, so it's kinda like having the range of a 6.
 
6 of one, half dozen of the other.

I'd probably opt for the high C, which I'll most likely do when I get a Deep 5 since 6 strings isn't an option. The compromise between a 5 and 6 is that Rob's basses sound great in dropped D, so it's kinda like having the range of a 6.

Drop tuner is a good call. Gets you that little extra mojo.

BTW, Given your affinity for unique customs, I'm wondering what sort of Deep you'll end up.
 
Drop tuner is a good call. Gets you that little extra mojo.

BTW, Given your affinity for unique customs, I'm wondering what sort of Deep you'll end up.

34" scale, high C tuned, D-Tuner on E string, integrated thumbrest, high grade figured walnut, single volume knob bridge, with a 2 band hidden inside. Push/pull EQ defeat volume knob. I'd like some sort of bass mute, but the Bass Mute doesn't quite fit the visual aspects of RA basses. Still thinking about what to do with that.
 
I just took delivery of a 12 year old, used five string MB-2f. I'm in the process of changing the strings and while I have the strings off, I'd like to give the bass a good cleaning.

I can't find any cleaning recommendations on Rob's site for what to use for cleaning. Only that at least his newer basses are oil finished.

Lately I've been using Sadowsky's cleaner and polish (they're both thick liquids) which are good for both poly and nitro finishes.

Will the these cleaners work on the MB-2f? Is there anything better?
 
Rob's MB-2 user manual says never to use solvents or cleaners, use a cotton cloth lightly dampened with warm water. You can wax the body every few months with carnuba wax to keep the wood supple.
 
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