would a 4 string mb-2 fretless with stock strings accommodate a standard d tuning across all the strings ok?
I know the E string handles D very well. Not sure about the rest. My only experience with the MB2 was in 35" scale 5 and 6 string versions.
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would a 4 string mb-2 fretless with stock strings accommodate a standard d tuning across all the strings ok?
A beauty! Congrats and enjoy! What are the specs on that sweet thing? And did you just pick that up from Rob?nbd ..i have a few fretless but this one takes it to 11, a very musical resonant experience, so easy to play.
thanks..."This unique bass features a semi-hollow swamp ash body, with a curly koa "drop top". The koa on this bass is over 50 years old, it comes from a very large timber that I acquired many years ago; it is well aged and perfect for instrument making. The thin koa top is put in a vacuum press to mould it onto the ash body, for a considerable forearm contour. The 34" scale neck is made from eastern rock maple, and features a lined rosewood fingerboard. This rosewood is very special, it is also old stock and is the same type of (rare) rosewood used on classic instruments made in the 50's and 60's. It has a beautiful landscape quality to it, and is old, dry, dense wood with excellent sustain. The headstock has a matching rosewood overlay. Strings are La Bella 760n, a steel flatwound with a black nylon tape outer winding, for a very smooth feel and warm tone. A locally made (in Los Angeles, Ca) custom form fit case rounds out the package." ...i bought it as new online from a reputable dealer in the uk.A beauty! Congrats and enjoy! What are the specs on that sweet thing? And did you just pick that up from Rob?
Very nice! Hit me up if you get crazy and want to sell it!thanks..."This unique bass features a semi-hollow swamp ash body, with a curly koa "drop top". The koa on this bass is over 50 years old, it comes from a very large timber that I acquired many years ago; it is well aged and perfect for instrument making. The thin koa top is put in a vacuum press to mould it onto the ash body, for a considerable forearm contour. The 34" scale neck is made from eastern rock maple, and features a lined rosewood fingerboard. This rosewood is very special, it is also old stock and is the same type of (rare) rosewood used on classic instruments made in the 50's and 60's. It has a beautiful landscape quality to it, and is old, dry, dense wood with excellent sustain. The headstock has a matching rosewood overlay. Strings are La Bella 760n, a steel flatwound with a black nylon tape outer winding, for a very smooth feel and warm tone. A locally made (in Los Angeles, Ca) custom form fit case rounds out the package." ...i bought it as new online from a reputable dealer in the uk.
Thats a beauty.nbd ..i have a few fretless but this one takes it to 11, a very musical resonant experience, so easy to play.
it does standout from the usual in terms of its looks.Thats a beauty.
I don't think I've ever seen one with a rosewood headstock.
i took it all down a couple of stops to that tuning and it handles it fine, which i thought would be the case as thats pretty much the same tension as the mouse ..it now sounds real deep just the way i like it.I know the E string handles D very well. Not sure about the rest. My only experience with the MB2 was in 35" scale 5 and 6 string versions.
nbd ..i have a few fretless but this one takes it to 11, a very musical resonant experience, so easy to play.
Great question. I've used a Noble for years now for everything. I play in church and our sound guys are very happy with it. I'm not sure that's the best answer, but it works for me.
I had the older version of this and loved it for ampless gigs.I get it. It takes time and money (or really good luck in the used market) to score a Noble. In the meantime, I'm sure there are lots of good alternatives…
One thing for sure, the Rob Allen output is super hot compared to your other basses. Really great for the signal noise ratio that you send it to FOH. But, a lot of the sound techs in our church don't know what to do with that hot of a signal. So I think it's OK to dial back the Rob Allen volume control somewhat… I've heard some RA players say that doing that diminishes the tonal qualities of the Rob Allen, and I'm sure that's true to some extent. However, I'm not sure that it really matters in context of the total mix.
I don't consider myself to be an expert in any of this… That's just based on my experience.
I use the Broughton Messenger DI with my MB-4.I'm curious to know what y'all are using for preamps/DI's for your Rob Allens (to get your signal out to FOH). I play in an IEM-only environment, so I'm looking for something I can put on a pedalboard, rather than an amp & cab. I love my Ampeg SGT-DI in this role for my magnetic pickup basses (Jazz & P, and Stingray) but not so much for my MB-2.
I'd like to find something specifically for the Rob Allen, with a little bit more control than just a DI such as a Radial or Red Eye--at least an output volume control, maybe an HPF. I'm thinking a Radial AC Driver or go w/ full EQ such as a Genzler Magellen DI. A Radial Tonebone or EBS Microbass seems overkill, on the other hand, with the two channels and whatnot.
Or, what else should I consider that's maximized for a high output piezo bass like the Rob Allen but that preserves its beautiful inherent tone.
www.broughtonaudio.com