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SHOW YOUR DISTRESSED FINISHES!

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66P. This thing is a mess!!
 
I hope not. I think it's cool and all but that's a poop ton o' loot and Gibson's always smell funny.

Hey - I've owned my '64 T-bird II since '78 which I will be buried with (not really - someone should definitely play it after I'm gone!) ;)
 
Beautiful bass, and I love the headstock shape on this body style. But for that much money, I'd hope for some AVRI full sized tuners.

See, this is what's going on Ivan - as one who creates and offers custom and custom manipulated basses for sale, it's gotta be top-drawer from start to finish (craftsmanship and parts) asking that level of pricing. A seller has the right to ask the price they feel is appropriate but I would be very surprised if that bass sold for that price. Also, you can see in the pics that the flowered fabric is frayed at the edges so will continue to degrade if seriously played. The Fender paisley/flowered Tele basses of the late 60's had a foil-print (like wall-paper) over the body that was clear-coated and over time many have delaminated. As a discerning buyer, such details overlooked would dissuade further interest beyond first attraction to it. (again, at that price)

Also, as you know I love distressed finishes - but a new distressed-look finish for me gets scrutinized much more for level of artistic gestalt/approach/detail. Too many of new distressed/relic'd attempts fall short and don't go beyond 'rough it up and call it distressed' territory. (as in, not a skilled effort) The best new distressed finishes/looks are done by someone who studies the real deal and synthesizes it through their own unique eye/talents/skills. Just my 2cents on it...
 
Oh, I think it's a wee pricey for sure, just intriguing. But its "art" lol.

Sadly, examples like this leaves 'art' open to justified negative criticism. I don't mean to slag someones creative attempt - but I have high standards for my own work and can still express my opinion as an artist.
 
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previous owner was a pick player who played in country bands all over Canada and Alaska. you can kind of tell where he liked to rest his hand.

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I've never understood how basses get wear right below the G string, but above where the controls and jack is on the P. I've never seen anyone play with their hand there, nor resting it there. Weird IMO.
 
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I've never understood how basses get wear right below the G string, but above where the controls and jack is on the P. I've never seen anyone play with their hand there, nor resting it there. Weird IMO.

I think the OP nailed it. Playing with a pick. Playing with thumb and finger will do it also.

I palm mute a lot - which has my right hand resting over the bridge while picking. I also favor plucking and picking over the bridge pu in general. No mystery how wear can occur down there. Not the first time I've seen that kind of wear in that location. It's the cool thing about individual style - it can be all over the map.