It does, absolutely, because getting a cutaway that deep meant that the opposing side had to compensate for it. I suppose that the luthier could have done a ridiculous design by extending the upper horn WAY out and in a sense "forcing" a double-cut look. You could also have the neck be stupidly long, where those upper frets end up not being closer to the body, but then that messes with string length and scale, and that bass is already a long scale. In order to give me that range he had to use that design. If you are saying that he could have taken away that upper horn and the bass still would have worked, maybe, but it would have terribly unstable. It's a super long, heavy neck. I guess we could ask Vinny Fodera himself if it would be possible.