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Single Cut basses, Just a fad?

Is there a Single cut bass in your future?

  • No way! I have no desire to own a single cut bass.

    Votes: 135 37.1%
  • Most certainly! I will definitely get one some day.

    Votes: 46 12.6%
  • I already have one and it's my forever bass!

    Votes: 40 11.0%
  • Single or double...It doesn't matter as long as it does what I need it to.

    Votes: 143 39.3%

  • Total voters
    364
I do not own any of these, but I've listed a few of my favorite singlecut basses:

Jens Ritter's R8
r801.jpg

Benavente SCD
SCD52434_Outlined_edit.jpg

Aquilina Shelby GT-350
shelby-gt35001.png

Stradi Symphony
t4ubt5getjwfq2abbq6d.jpg

Rick Turner Renaissance bass
2255-1.jpg

And the classic Framus Bill Wyman Star Bass
pfztvkjer3wyukwean11.jpg
 
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I got to wondering what non-cutaway Basses were made besides the Hofner-style violin Basses. Excluding violin-shaped instruments here is what I was able to find:

Eastwood Devo Be Stiff
View attachment 3165707

Orpheus Rocket
View attachment 3165708

Vox Phantom IV
View attachment 3165709

Vox Teardrop
View attachment 3165710

Messenger (far right)
View attachment 3165711

Gibson Flying V
View attachment 3165712

Bigson
View attachment 3165713

Eastwood Rocket
View attachment 3165714

Burns Flyte
View attachment 3165715

Kawai Crescent
View attachment 3165716
Other than the Messenger & Crescent many would consider those double cuts--as there isn't a side on either side of the neck.

But whatever you call them--they are different than basses with horns or other protrusions.


As for me-- I tend to favour single cut guitars (Although I own a Mustang Guitar) & for bass I favour double cuts (Although, what--both my basses are double cuts)
 
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Reactions: EatS1stBassist
At least he's the one pretending to play for the photo.
he put some effort in, making it look as if he played..

He would?
I hear the best portraits are those in which the object is not directly looking at the one taking the photo...
Also...maybe it's about atmosphere, and the situation ?




On the premise that you may be oblivious to who Richard Bona the "poser ham" is (rather than just trolling) i offer this video of him hamming it up on a SC.
...I might add that I post this mainly for the purpose of enjoying his playing, and admiring that beautiful SC bass he's using, rather than giving you the attention & replies you seek & crave!:laugh:
 
Deleted my posts on the photos as people seemed to start taking them seriously.
That#s not what they were meant for, which I thought was obvious.
My apologies!
And yes, I do know who the players in the pictures are.
:(
 
Last edited:
I got to wondering what non-cutaway Basses were made besides the Hofner-style violin Basses. Excluding violin-shaped instruments here is what I was able to find:

Eastwood Devo Be Stiff
View attachment 3165707

Orpheus Rocket
View attachment 3165708

Vox Phantom IV
View attachment 3165709

Vox Teardrop
View attachment 3165710

Messenger (far right)
View attachment 3165711

Gibson Flying V
View attachment 3165712

Bigson
View attachment 3165713

Eastwood Rocket
View attachment 3165714

Burns Flyte
View attachment 3165715

Kawai Crescent
View attachment 3165716
Awesome!!
 
Is there something I am missing? Do they offer anything that a Double-Cut bass does not?
.

No. All that neck stability stuff is bs if there’s a truss rod. What they offer is a look that either appeals to you or not. For me, not, but I quite like that Stradi Symphony fretless in spite of the whale hump...
 
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Reactions: ajkula66
In order to properly answer this, I have to divide single-cut basses into two groups. The first group is those that are styled like a Les Paul guitar or a single-cut hollow/semi-hollowbody. These have large enough bodies that they resonate and sustain nicely, and -- just as importantly, to me -- "look right". The second group are sleek solidbody basses that generally have smaller bodies (and are usually heavy enough already); to me, a long upper bout extending onto the neck just looks wrong. While some may sound great and may be good choices for recording, they aren't what I'd choose for long sets onstage, both because of appearance (important in live performance) and weight issues. Audience members expect a bass to have a certain look, similar to a guitar -- it's "the right look" for rock, pop or country. A long-bout singlecut might be quite nice for jazz, or in a band that wants to present a "different" onstage image.

That said, use whatever you like, and that works best for you and the music.