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So... I got fired today (warning: long)

"Lack of feel" = any criteria they like: as in, maybe they just weren't "feeling" like they wanted you in the band. Maybe they wanted a bassist with a different style. It sounds like they were pretty cool about it, so I wouldn't spend a whole lot of time on "what ifs" and whatever... Just keep playing until you find your niche. Could be tomorrow, could be years from now. Everyone gets the boot from bands, even me.
 
What?
I don't get that. You won a free recording session and a chance to create and record your own music and
maybe even promotion and you declined and chose to go hear someone else's music instead?
If that doesn't get one fired from a band, I don't know what will, lol.

I agree that @StringGirl 's choice in her story raised an eyebrow for me too. On the other hand, the rest of the story is that the band in question totally fell apart fast, which suggests to me that, free studio time or not, they weren't going to go anywhere anyway.
 
Hey all, I need to vent a bit and welcome any feedback you'd have to share.

TL;DR: Got fired from a serious band because of issues with the "feel" of my playing, and concerns that I wasn't committed to pursuing music professionally.

A few months ago, a rapper and friend of mine from college posted that he was looking for a bassist on FB. I told him I was interested, and he gave me songs to learn. We started rehearsing as a band, with a guitarist and drummer who've played together before. I've never played in a hip-hop band before, and my playing was rusty since I hadn't practiced consistently during my studies.

I got some feedback from the sound engineer at the studio we rehearsed at gave me feedback to "step back" from the drums and guitar like on an Erykah Badu track. I took the advice seriously and practiced playing looser, so I could get the feel right.

Over the next few months, we practiced weekly leading up to our gig, and everything sounded great. I'm open to honest feedback since I want to improve as a bassist. I tried to be conscious of the pocket and lock in the groove with the drummer. We sounded great according to the sound engineer. Our first show was awesome, everything was flawless and high energy, and we almost sold out the venue. People had a great time.

A week after the show, the rapper said he wanted to go over the performance and identify what went well and what could be improved on. We all agreed that we should meet up and talk about it. There wasn't much activity going on since then, and I knew we had a show the next month, so I had a feeling something was up. The rapper texted me asking if I could take a call and I said sure.

We chatted about life for a bit; then he got into what the deal was. He got feedback from people at the show, and the band members that the feel was a bit off, like something in the background was missing.

The guitarist told him that my bass playing wasn't cohesive with the guitar and vocals and that the bass was "almost antagonistic" to the guitar. He praised me for my attitude and dedication, and he said that he felt that I'm more focused on my career and that it seems like I'm not interested in professional music.

It's true, I am focused on building up my business, but it's not true that I don't want to play music professionally. That's been a dream of mine for so long, and I was happy to have found serious, talented musicians to perform with. I'm aware of the areas I need to improve on, and I honestly believe that I have the capability.

With an upcoming show and more planned in the next year, he was concerned that I wouldn't be able to nail all the new songs fast enough, given that time and money for rehearsal spaces is short. His career is taking off pretty fast, and I was 100% dedicated to going on tour if the opportunity presented itself.

I felt it was unfair that this was a decision made behind the scenes, instead of in a discussion where I could address concerns. He reiterated that my playing was technically good enough, but the feel wasn't quite there. I told him I'm aware that I'm rusty and the style of music was uncharted territory for me, and that I was professional, learned all the songs true to the bass lines on the recordings, and even made a couple of new songs on the spot that sounded great.

It's true that chemistry still needed to develop, but in the few months we've been rehearsing, every single session sounded better and better. From the first jam to the show, I've consistently cut down my playing and improved my groove.

I also said to him that it's his project and if he feels that I'm not there yet, it's his decision, and I respect it. I don't want to burn a bridge, and he mentioned that he also didn't want to close a door for future collaboration.

I'm trying to make sense of everything since I truly want concrete feedback on how I can be a better player. I like when people are honest when something isn't right so that headache can be avoided in the long run.

Maybe I'm biased since I'm an econ graduate and have worked in business environments, but if you're hired for the job it means you're good enough, and if issues arise, you have periodic evaluations for coworkers to give you feedback on what you're doing well and what needs work. If my playing was that bad, I feel like it should have been addressed before the show.

They saw me develop over a short period of time; why is it just now that they don't think I can get it right when I would have had more time to get it down?. The artist decided to go with another bassist who'll have to learn all the songs in a month, with less rehearsal time than we had.

Groove is crucial especially for R&B/hip-hop music, and if I wasn't bringing it, then it does nobody any favors to keep me in the band. Music is an emotional process, and it's hard to articulate many things. Maybe I won't be able to get an answer that I'm hoping for beyond "it just doesn't feel right".

Anyway, I needed to get that off my chest and into the open. If you've read this far, I congratulate you! I know I'll bounce back and find another project - I'm working with a producer tomorrow and the rapper was happy to connect me with his main beat maker, as well.

I guess what I'm curious about is:
  1. How do I learn from this to become a better player and avoid this scenario in the future?
  2. Should I work with this artist again in the future, or is it like breaking up with an SO and things will never be the same?
  3. What have you guys done when you've been canned?
Thanks for reading, I'd love to get your opinion and read other bassist's stories.

I would like to begin by mentioning that politics in bands destroys bands. With that said, you mentioned the guitar player who has worked with the drummer in the past. It also sounds as if the front man was not absolutely sure of this decision, but made it regardless possibly out of desperation, influence, or perhaps truly did feel like this was the right call.

Jamming with two good friends of mine for past 10 years, and consecutively for 8, and these are the guys I want to work with full time in the studio and on the road. Our particular individual styles with the option to express what we think sounds good to anyone of us, becomes a beautiful, powerful song that we all enjoy. We do this for the love of creating music and doing so together. I wanted more, actual stage time so I went out and found a band that I saw potential in, but wasn't sure if I would really fit in. we jammed three months time, hosted 3 shows at the drummers jam space (under a piano store with space to rent), Had a good time, never wrote a song together although I did write bass lines to 8 of the 9 songs that we would practice. Solid low end that they loved and explained "fills in the sound", and it did. The drummer called off all rehearsals at his "place of creativity/Rehearsal space" for the band, which included his own cousin. Long story short (too late), I wasn't a good match for what they had been doing in the past and my energy level is at least 10 times that of the other three guys. Mostly it was the drummer and I that were not compatible.

So....
1: Make sure that what you are getting into shows no red flags that you yourself would not like to deal with. You have got to hit it off, after some time these people will likely become family and that's the connection that will make you happy during your journey.

2: If you are feeling it, why not.

3: Being in a band is a relationship, if she wasn't your type you gotta move on. Eventulay its not a problem and you have to keep pushing on if your passion is deep.
 
I agree that @StringGirl 's choice in her story raised an eyebrow for me too. On the other hand, the rest of the story is that the band in question totally fell apart fast, which suggests to me that, free studio time or not, they weren't going to go anywhere anyway.
I agree and in hindsight it was probably a logical decision.
It just seemed funny, rather than get fired, just get the rest of the band to quit, lol.
All said and done, @StringGirl is here, playing and posting so the story has a happy ending.
 
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Without seeing and hearing the band, anyone's attempt to justify why you got the axe is useless spitballing, which is the usual MO on Talkbass :D All I can tell you is sometimes people aren't a good fit with each other for no apparent reason. Also, people who are seriously career minded about music often have a problem with members who might have potential entanglements. For example, Chrissie Hynde said that when she was forming the Pretenders, she looked for musicians who had nothing but music going on, and she didn't even want them to have girlfriends. Your fledgling business is an entanglement. No way around it. Nothing wrong with that, either. It'll probably serve you better in the long run financially, anyway.

But sometimes there IS a reason. If I were you, I'd think about the comment "antagonistic to the guitar." You can do what you want when you're the leader of the band or an equal partner, but it might be a good idea to explore that thought. Maybe go over recordings and listen to what you did and learn from it.
 
Consider the source. I got fired from one band, the only time in 35 years of gigging, someone did not like my playing. I happen to think the BL was wrong.

He praises you for your attitude and dedication, but then says you weren't committed? Sounds like doublespeak to me.

It's his gig, and likely if he were picked up, they might look to go with studio musicians.

It got you back into serious playing. It may just not have been a fit, musically or personally.

Don't let it get you down.
 
Hey all, I need to vent a bit and welcome any feedback you'd have to share.

TL;DR: Got fired from a serious band because of issues with the "feel" of my playing, and concerns that I wasn't committed to pursuing music professionally.

A few months ago, a rapper and friend of mine from college posted that he was looking for a bassist on FB. I told him I was interested, and he gave me songs to learn. We started rehearsing as a band, with a guitarist and drummer who've played together before. I've never played in a hip-hop band before, and my playing was rusty since I hadn't practiced consistently during my studies.

I got some feedback from the sound engineer at the studio we rehearsed at gave me feedback to "step back" from the drums and guitar like on an Erykah Badu track. I took the advice seriously and practiced playing looser, so I could get the feel right.

Over the next few months, we practiced weekly leading up to our gig, and everything sounded great. I'm open to honest feedback since I want to improve as a bassist. I tried to be conscious of the pocket and lock in the groove with the drummer. We sounded great according to the sound engineer. Our first show was awesome, everything was flawless and high energy, and we almost sold out the venue. People had a great time.

A week after the show, the rapper said he wanted to go over the performance and identify what went well and what could be improved on. We all agreed that we should meet up and talk about it. There wasn't much activity going on since then, and I knew we had a show the next month, so I had a feeling something was up. The rapper texted me asking if I could take a call and I said sure.

We chatted about life for a bit; then he got into what the deal was. He got feedback from people at the show, and the band members that the feel was a bit off, like something in the background was missing.

The guitarist told him that my bass playing wasn't cohesive with the guitar and vocals and that the bass was "almost antagonistic" to the guitar. He praised me for my attitude and dedication, and he said that he felt that I'm more focused on my career and that it seems like I'm not interested in professional music.

It's true, I am focused on building up my business, but it's not true that I don't want to play music professionally. That's been a dream of mine for so long, and I was happy to have found serious, talented musicians to perform with. I'm aware of the areas I need to improve on, and I honestly believe that I have the capability.

With an upcoming show and more planned in the next year, he was concerned that I wouldn't be able to nail all the new songs fast enough, given that time and money for rehearsal spaces is short. His career is taking off pretty fast, and I was 100% dedicated to going on tour if the opportunity presented itself.

I felt it was unfair that this was a decision made behind the scenes, instead of in a discussion where I could address concerns. He reiterated that my playing was technically good enough, but the feel wasn't quite there. I told him I'm aware that I'm rusty and the style of music was uncharted territory for me, and that I was professional, learned all the songs true to the bass lines on the recordings, and even made a couple of new songs on the spot that sounded great.

It's true that chemistry still needed to develop, but in the few months we've been rehearsing, every single session sounded better and better. From the first jam to the show, I've consistently cut down my playing and improved my groove.

I also said to him that it's his project and if he feels that I'm not there yet, it's his decision, and I respect it. I don't want to burn a bridge, and he mentioned that he also didn't want to close a door for future collaboration.

I'm trying to make sense of everything since I truly want concrete feedback on how I can be a better player. I like when people are honest when something isn't right so that headache can be avoided in the long run.

Maybe I'm biased since I'm an econ graduate and have worked in business environments, but if you're hired for the job it means you're good enough, and if issues arise, you have periodic evaluations for coworkers to give you feedback on what you're doing well and what needs work. If my playing was that bad, I feel like it should have been addressed before the show.

They saw me develop over a short period of time; why is it just now that they don't think I can get it right when I would have had more time to get it down?. The artist decided to go with another bassist who'll have to learn all the songs in a month, with less rehearsal time than we had.

Groove is crucial especially for R&B/hip-hop music, and if I wasn't bringing it, then it does nobody any favors to keep me in the band. Music is an emotional process, and it's hard to articulate many things. Maybe I won't be able to get an answer that I'm hoping for beyond "it just doesn't feel right".

Anyway, I needed to get that off my chest and into the open. If you've read this far, I congratulate you! I know I'll bounce back and find another project - I'm working with a producer tomorrow and the rapper was happy to connect me with his main beat maker, as well.

I guess what I'm curious about is:
  1. How do I learn from this to become a better player and avoid this scenario in the future?
  2. Should I work with this artist again in the future, or is it like breaking up with an SO and things will never be the same?
  3. What have you guys done when you've been canned?
Thanks for reading, I'd love to get your opinion and read other bassist's stories.

It was the wrong band for you ... when you get with the right musicians the "feel" will be there
 
In 1978, Michael Jordan was just another kid in the gym, along with 50 or so of his classmates, trying out for the Emsley A. Laney High School varsity basketball team. There were 15 roster spots. Jordan—then a 15-year-old sophomore who was only 5'10" and could not yet dunk a basketball—did not get one. He wasn't cut from basketball all together, just moreso, demoted to JR. Varsity. In other words, this is just a life moment that you can leverage into greater rewards some day. Take a moment to grieve, evaluate, then strap back up and keep bassing! :-)
 
Hey all, I need to vent a bit and welcome any feedback you'd have to share.

TL;DR: Got fired from a serious band because of issues with the "feel" of my playing, and concerns that I wasn't committed to pursuing music professionally.

A few months ago, a rapper and friend of mine from college posted that he was looking for a bassist on FB. I told him I was interested, and he gave me songs to learn. We started rehearsing as a band, with a guitarist and drummer who've played together before. I've never played in a hip-hop band before, and my playing was rusty since I hadn't practiced consistently during my studies.

I got some feedback from the sound engineer at the studio we rehearsed at gave me feedback to "step back" from the drums and guitar like on an Erykah Badu track. I took the advice seriously and practiced playing looser, so I could get the feel right.

Over the next few months, we practiced weekly leading up to our gig, and everything sounded great. I'm open to honest feedback since I want to improve as a bassist. I tried to be conscious of the pocket and lock in the groove with the drummer. We sounded great according to the sound engineer. Our first show was awesome, everything was flawless and high energy, and we almost sold out the venue. People had a great time.

A week after the show, the rapper said he wanted to go over the performance and identify what went well and what could be improved on. We all agreed that we should meet up and talk about it. There wasn't much activity going on since then, and I knew we had a show the next month, so I had a feeling something was up. The rapper texted me asking if I could take a call and I said sure.

We chatted about life for a bit; then he got into what the deal was. He got feedback from people at the show, and the band members that the feel was a bit off, like something in the background was missing.

The guitarist told him that my bass playing wasn't cohesive with the guitar and vocals and that the bass was "almost antagonistic" to the guitar. He praised me for my attitude and dedication, and he said that he felt that I'm more focused on my career and that it seems like I'm not interested in professional music.

It's true, I am focused on building up my business, but it's not true that I don't want to play music professionally. That's been a dream of mine for so long, and I was happy to have found serious, talented musicians to perform with. I'm aware of the areas I need to improve on, and I honestly believe that I have the capability.

With an upcoming show and more planned in the next year, he was concerned that I wouldn't be able to nail all the new songs fast enough, given that time and money for rehearsal spaces is short. His career is taking off pretty fast, and I was 100% dedicated to going on tour if the opportunity presented itself.

I felt it was unfair that this was a decision made behind the scenes, instead of in a discussion where I could address concerns. He reiterated that my playing was technically good enough, but the feel wasn't quite there. I told him I'm aware that I'm rusty and the style of music was uncharted territory for me, and that I was professional, learned all the songs true to the bass lines on the recordings, and even made a couple of new songs on the spot that sounded great.

It's true that chemistry still needed to develop, but in the few months we've been rehearsing, every single session sounded better and better. From the first jam to the show, I've consistently cut down my playing and improved my groove.

I also said to him that it's his project and if he feels that I'm not there yet, it's his decision, and I respect it. I don't want to burn a bridge, and he mentioned that he also didn't want to close a door for future collaboration.

I'm trying to make sense of everything since I truly want concrete feedback on how I can be a better player. I like when people are honest when something isn't right so that headache can be avoided in the long run.

Maybe I'm biased since I'm an econ graduate and have worked in business environments, but if you're hired for the job it means you're good enough, and if issues arise, you have periodic evaluations for coworkers to give you feedback on what you're doing well and what needs work. If my playing was that bad, I feel like it should have been addressed before the show.

They saw me develop over a short period of time; why is it just now that they don't think I can get it right when I would have had more time to get it down?. The artist decided to go with another bassist who'll have to learn all the songs in a month, with less rehearsal time than we had.

Groove is crucial especially for R&B/hip-hop music, and if I wasn't bringing it, then it does nobody any favors to keep me in the band. Music is an emotional process, and it's hard to articulate many things. Maybe I won't be able to get an answer that I'm hoping for beyond "it just doesn't feel right".

Anyway, I needed to get that off my chest and into the open. If you've read this far, I congratulate you! I know I'll bounce back and find another project - I'm working with a producer tomorrow and the rapper was happy to connect me with his main beat maker, as well.

I guess what I'm curious about is:
  1. How do I learn from this to become a better player and avoid this scenario in the future?
  2. Should I work with this artist again in the future, or is it like breaking up with an SO and things will never be the same?
  3. What have you guys done when you've been canned?
Thanks for reading, I'd love to get your opinion and read other bassist's stories.

Damm that's a lot of venting.. :(
Ok, it sucks !!
but it is what it is, get back on your feet find another band and move on!
good luck .
 
OP, you yourself said that there were issues with your playing but you were improving. The bandleader needs someone that doesn't have issues if he's going to move forward. Bass is extremely import in the genre. Does it mean you can't do it in the future? No. It means that this isn't your time. Honestly, put the effort into your business degree. That route has a high probability of success for you and odds are, the rapper is going nowhere. Even rappers (and other musicians) that you think are successful are flat broke, but they put up a good front.

My advice to you is to keep practicing, but more than learning to play notes or rhythms, learn how to network. Do you have the guitar player and drummer's info on your contact list? The sound engineer? Learn how to make people remember you, keep in contact, help them and don't be afraid to ask them to help you. That skill will get you further as a musician or a business exec than anything else. Of course, you need something to back it up, so don't neglect the skills both in business and in music.
 
I would wager this happened for the same reason a lot of bassists get let go. The guitarist and or rapper probably want a more generic bass player who will play repetitive simple stuff for them to play over. Seems pretty common with a lot of bands oriented around one or two main people. Still that is no reason to suddenly let someone go, and it seems pretty likely your replacement will do a worse job if anything with less time to try and nail the bass lines the way they want...

Maybe things won't work out and you will be brought back in, and if not you could always collaborate like you said if it's a project you really wanted to be a part of.

This could be a sign you should be looking for something else anyways, hopefully you will find a better gig before long!
 
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Maybe I'm biased since I'm an econ graduate and have worked in business environments, but if you're hired for the job it means you're good enough, and if issues arise, you have periodic evaluations for coworkers to give you feedback on what you're doing well and what needs work. If my playing was that bad, I feel like it should have been addressed before the show.

My experience has been that this is not at all how music works. I know it sucks to get kicked out of a band, and it's certainly happened to me, but the solution is to take it as motivation and start really practicing and learning your craft.
 
Yes, it totally sucks to get cut from a band. I was just fired from the Annie Brobst Band - I have played with her on and off for 5 years, 2 years ago we got into the finals of the "Last Band Standing of MA" (last 7 out of 500), last year we got the Country Act of the Year award from the New England Music Association. Opened for Darius Rucker, Big and Rich etc. Super band....but now they want to go all professional and they replaced me with a full time bass player. Played 54 gigs last year with her, traveled 4000 miles...was fun while it lasted. I just joined a new band on Saturday, looking for new adventures. Keep the spirit up.
 
My experience has been that this is not at all how music works.
Yep, this part is 100% true. Musicians are quite often not business people whatsoever. Plus getting hired and performance on the job are two different things, and that's not exclusive to music by any means. You never know how someone is going to work out on the job until they actually do it. Someone can interview really well and then be a total screw-up when they start working. Or someone might be the best choice that day they're hired, but someone else that they want more could become available a month from now, and out you go. If that bit about being good enough to get hired was true, nobody would ever get fired.

College kids... :D
 
I got "fired" from my first gig in Texas. 6 days after I moved here I found a paying gig (a barely paying gig) but it meant the world to me that I moved from Cali and landed on my feet so fast. Anyways, the gig was country, I bones up on all the tunes, most I already new, played the gig damn near flawlessly, got along with everyone even font man BL. Then, nuttin' no calls, no follow ups, just crickets.

About six years later the drummer from the gig recognized me in the grocery store and told me I had lost the gig because the front man was wee little fellow and I'm 6'4", so I made his insecure azz feel even smaller.

The moral of the story is, like others have said earlier in this thread, in most cases there are other reasons you lose a gig, and mainly because there is someone else who is just a jerk because they don't THINK you share their vision, or you're just too freakin' big!

Ignore jerks, keep your stellar professional attitude and your work ethic and hold on to the fact that no one but a bassist understand the instrument or it's player!
 
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