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So...Would you take the Gig?

Do you take the gig?

  • Heck no! You don't need no disrespect!

    Votes: 1 0.6%
  • No. The band has soured on the venue. Any issue and it will be your fault for booking it!

    Votes: 0 0.0%
  • Yes. Be a professional and play the gig and earn future gigs because we're good.

    Votes: 157 99.4%

  • Total voters
    158
The agent knows his venue, and since he's the one doing the hiring, he gets to have an opinion. Obviously he's more professional than your bandmates. And besides...he offered you a tentative gig.

Tell your fellow bandmates to get over their butthurt over nothing and act a little more adult and professional. Wait until you've actually got a real name for yourselves before anybody starts pulling the Nigel Tufnel rockstar BS.

If the comp looks reasonable, take the gig.

If it's less than you'd like, consider accepting anyway (this is a step up to a bigger market right?) on the proviso it'll be a one-time 'get acquainted' price only. He's not 100% happy with just three people on stage. Show him he's wrong and that it'll work just fine - then renegotiate your fee for the next gig you play there. Because if you did your job, you'll get asked back.
 
take the gig as a person who like yourself booked bands your band mates would understand if they did the work. if you have to have another piece you must know some one who can do it add a keyboard etc I have had to do it many times once a client wanted a 5 piece band I added a conga, bongo player the client loved it and we all got paid well and she asked us back many times. tell your band mates the more flexable you are the more you will work. now if I only could find some serious players that wanted to do this right I would be in heaven
 
The interesting thing is, I usually DO keep the bad stuff away from them. I had no idea commenting on the size of our band would be so offensive! :oops:

Oh, and I think I've unintentionally become the manager even though I've only been in this band for 2 years and the two other guys formed it back in 2009. They'd been playing the same 3-4 places over and over and had worn out their welcome so weren't getting any money and weren't having any fun. I took over booking, found new places, rebuilt their confidence in our product and went from a 15-20 gigs a year band to 40-45 gigs a year with better venues and better pay. I might be dealing with a slight regression in confidence as we're moving into bigger/better venues so the easy way out is to say the venue sucks and we shouldn't play it rather than play it and not be asked back.

The easy way to address that is to play it, knock their socks off, and be added to a rotation! Easy peasy!
ha ha ha! always go for the easy way out!
it sounds like you're doing great work. keep it up! I'm sure it won't quite be as appreciated as it should be. But that seems to be par for the course.
 
I have sometimes contemplated getting three or four of these for big stages:

Blue_Air_Dancer_10ft__11160.1369762896.1280.1280.jpg

OMG! We were totally going to do that for a drummer for awhile!!! Backing track with a kit and flailing arm air guy with sticks taped on!