Yeah, he's a wordy dude! He does nice work though, so I forgive him.No, I did mean this thread. I've watched the Highline guy before and have learned from his videos, but sometimes he tends to over-explain. I've found this thread very concise.
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Yeah, he's a wordy dude! He does nice work though, so I forgive him.No, I did mean this thread. I've watched the Highline guy before and have learned from his videos, but sometimes he tends to over-explain. I've found this thread very concise.
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Yeah, he's a wordy dude! He does nice work though, so I forgive him.I'm a total YT freak now for tutorials, back in the Day there were like 5 decent books on guitar construction in existence, if you could find them still in print. I bought a copy of the unfortunately named Melvyn Hiscock book, which is excellent, but you know... one picture equals.....
Why , Thank You !No, I did mean this thread. I've watched the Highline guy before and have learned from his videos, but sometimes he tends to over-explain. I've found this thread very concise.
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Yes, the oil paint finish seemed cool .I agree. I watch a ton of videos on pretty much everything guitar building related on YT. I watched the Highline guy's video on doing a guitar finish with oil paints...went horribly wrong. However, I'm going to use a few of his ideas on from his video on DIY pin router.
Sorry for the hijack...
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Butterfly is "all about that bass"That's a damn sweet bass. Kitty digs it.
I would think so, but the cure time would be longer, as the UV wavelength could be filtered by the glass.In case of bad weather, this could be cured from sunlight through a window, right?
The guy from Highline showed how this grain filler was white when it was thick. So I wonder if you try this on some ash with deep grain lines, could you possibly end up with a white-ish grain fill in those areas?
Thanks for the kind words!You are a really talented builder!
How does the Solarez feel on the neck, is it tacky? I use scotch brite to take the sheen off most every neck to get more of an oil, or I guess an unfinished feel. If you have time to comment I'd sure appreciate it.
Thanks for the kind words!
It feels no stickier than gloss poly.
This entire neck on the gold glitter ( next build) was deglossed , rather only the face of the headstock is polished . The fretboard and back were leveled and sanded up to 10,000 grit (micro mesh) but not buffed. To maintain the finish, as abrasion and wiping will eventually polish it, I suggest using melamine sponges (Mr Clean magic erasers)
The end result is a soft slippery feel much like a powdered pool cue.
Sorry for being not getting this, you are using them to polish the entire bass, not just to degloss the back of the neck, yes? BTW I did just use one wet and then dry on the back of a nitro neck - is sweet.I use them dry. It is super gentle, like 10,000 grit sandpaper. Very little material is removed , easily buffed back to gloss with polishing compound and elbow grease
I've done it to many of my basses.
I don't see these as part of the polish process, the scratches it leaves are inconsistent, and being so soft, not level. I use Micro Mesh sheets for prep to polish.Sorry for being not getting this, you are using them to polish the entire bass, not just to degloss the back of the neck, yes? BTW I did just use one wet and then dry on the back of a nitro neck - is sweet.
I use them dry, because I can see the effect on the surface immediately, and can go only as far as is needed.I don't see these as part of the polish process, the scratches it leaves are inconsistent, and being so soft, not level. I use Micro Mesh sheets for prep to polish.