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Source Audio EQ2

The high pass filter is going to be extended to 250hz the low pass will be configured from 20hz to 20khz. So yes you could split the channels and have one for low and one for high.

Im new to the SA world. I’ve not even had time to really start playing with these tools as I’ve been catching up with a backlog of other projects, but I’m glad I’ve bought in to this ecosystem. I’m sitting on 5 pedals, a neurohub, and a Soleman just taunting me as I fight with taxes, water filtration issues and refinancing while rates are so low.

I even bought a reamp setup so I could record some tracks direct and just sit and play with the neurolab and amp settings and experiment with the endless possibilities.
 
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The high pass filter is going to be extended to 250hz the low pass will be configured from 20hz to 20khz. So yes you could split the channels and have one for low and one for high.

That's good news. Definitely a potential to be used as a crossover pedal. Then you could use another SA on the other end of the 'loop to recombine your divergent signals.

Also, can I say that I love that it has 5-pin, USB and Hub connectivity. I'd love to see more of this for future pedals or updates of pedals.
 
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If your running Mono in/out and you set the EQ to split, you don’t need to recombine.

The idea would be to run mono in, then use the pedal to split the signal into low and high, sending at least one of those (the high) to a series of effects while keeping the low clean then recombine down the line. So, theoretically, you could split and EQ the high with a bit more mid and treble and feed an envelope filter of your choice to better effect, or if you're one to use a 'classic' tracking synth or octave circuit take the stuff on the high side of the split and roll back the treble/string noise that makes those glitch, etc.

Not so much in a split then run to different amps, bi-amp or multi-amp setup.
 
The high pass filter is going to be extended to 250hz the low pass will be configured from 20hz to 20khz. So yes you could split the channels and have one for low and one for high.


Well, I got my EQ pedal up and running, naturally with like 3 hours of playing around with my signal chain and the EQ settings. It is a really great pedal! I only have 3 things in my chain, an MXR M87 compressor, a Le Bass preamp and the SA EQ. My amp is a TC BQ500 into a Seizemic 15" speaker/cab. Even with only those 3 things I was searching high and low on where to put what in the chain.You think with only 3 things it would be easy. No, it wasn't (it was all a psychological nightmare), and I gave up on everyone's pedal positional advice and and went with what they all defaulted to, which was 'wherever you want to put it'. My end goal was to have all the tone controls on my amp flat, all the tone controls on both channels of the Le Bass flat and to only make tone adjustments with the EQ, AND have unity gain on all pedals when on or off. I thought at first to put the compressor last, I figured I would take control of the entire modified signal and prepare it for the amp head. I didn't like the final sound. I ended up putting the bass guitar into the Le Bass first and set all the controls on both channels flat of Le Bass flat.I got a nice warm tubey sound that way. Then out of Le Bass into the compressor, again dialing in unity gain and 4:1 compression. I play with a pick so I have somewhat fast attack and medium release. Then that into the SA EQ, channel 1. Inside the EQ GUI, I use auto detect and split the EQ using serial parametric. This allowed me to assign a low freq 10 band range on the one EQ from 31hz to 200hz. On the other EQ I had 10 bands from like 250hz to 8000hz. It worked perfect for what I wanted to do, as it does re-combine the high and low on the output. From there I went right into the amp. I like the SA EQ right before the amp because I think it adds such a good sound, kind of like expanding on the compressed signal but not to the point of needing compression again. I attained my goal of doing what I wanted to do with the SA EQ pedal, maintaining unity gain throughout and keeping the TC amp and Le Bass preamp flat.

I would like to be able to manipulate a wider range on the LFP and HPF to where you can also have control of the rolloff. In the DAW videos I was watching about EQ tips, they call that the 'order' I think? You know, a sharp drop off versus a gradual curve. I think it would be neat to see input and output signal meters in the GUI as well, if your open to suggestions. I haven't used the tuner yet, but I was wondering, what is the 'low bass' vs 'high bass' tuner setting do? When do you think you might have the filter range widened in the GUI?
 
So...I've been searching for an effective EQ toggle option a lot (read: all of quarantine), and this pedal keeps coming up.

I have two tonal flavors that I use in my band:
  1. An open sound with a bit of a bass and treble boost (and no real changes to the mid-range) that I frequently play with a pick to reflect the wondrous veneer of the 1980s
  2. A super, almost obscenely, dubby tone with a heavy emphasis between 80-150 Hz and a steep roll-off after 200 Hz. And no HPF - I'm too devil may care, and I want my bones to audibly rattle
I think this pedal could be my solution. However, I am loathe to purchase something without user feedback. Any ideas? I want this to be the answer to satisfy my need for two (or more!) EQ curves in a simple package.
~NvN
 
So...I've been searching for an effective EQ toggle option a lot (read: all of quarantine), and this pedal keeps coming up.

I have two tonal flavors that I use in my band:
  1. An open sound with a bit of a bass and treble boost (and no real changes to the mid-range) that I frequently play with a pick to reflect the wondrous veneer of the 1980s
  2. A super, almost obscenely, dubby tone with a heavy emphasis between 80-150 Hz and a steep roll-off after 200 Hz. And no HPF - I'm too devil may care, and I want my bones to audibly rattle
I think this pedal could be my solution. However, I am loathe to purchase something without user feedback. Any ideas? I want this to be the answer to satisfy my need for two (or more!) EQ curves in a simple package.
~NvN
You should download and play with the Desktop Editor. Gives a good sense of things without buying the pedal.
 
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Save your custom EQ curves as presets and then you can toggle all you want.

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Its a fantastic pedal, trust me. I'm all about EQ, splitting, many different Q values, complete sound shaping with EQ yet maintaining a crystal clear clean sound. I still find myself coming up with new curves and splits and then save them. The single most versatile pedal I have ever owned. I bought a Darkglass Microtubes X, and I just cant stand that annoying distortion (not the regular distorted effect its known for) that seems to pronounce itself on the D and G string more for some reason, especially the G, so that little EQ pedal cut that cancerous noise right outta there. If I didn't have the SA EQ pedal, Id have put the DG pedal right up for sale, but it sounds great now, I'm very happy with the SA EQ pedal 'taming' the DG pedal, so the DG pedal is definitely a keeper for me. This stuff isn't rocket science, but it is some sort of a science..
 
Hey, Y'all. Can't tell if some other knucklehead asked the already.
Does anybody have experience stomping a C4 And and EQ2 with a DMC-Micro switch? I'm really solid with the DMC managing the C4 patches but I read where it can toggle 2 devices from SA or other so I'm gonna try to figure it out this week.
 
Well, I got my EQ pedal up and running, naturally with like 3 hours of playing around with my signal chain and the EQ settings. It is a really great pedal! I only have 3 things in my chain, an MXR M87 compressor, a Le Bass preamp and the SA EQ. My amp is a TC BQ500 into a Seizemic 15" speaker/cab. Even with only those 3 things I was searching high and low on where to put what in the chain.You think with only 3 things it would be easy. No, it wasn't (it was all a psychological nightmare), and I gave up on everyone's pedal positional advice and and went with what they all defaulted to, which was 'wherever you want to put it'. My end goal was to have all the tone controls on my amp flat, all the tone controls on both channels of the Le Bass flat and to only make tone adjustments with the EQ, AND have unity gain on all pedals when on or off. I thought at first to put the compressor last, I figured I would take control of the entire modified signal and prepare it for the amp head. I didn't like the final sound. I ended up putting the bass guitar into the Le Bass first and set all the controls on both channels flat of Le Bass flat.I got a nice warm tubey sound that way. Then out of Le Bass into the compressor, again dialing in unity gain and 4:1 compression. I play with a pick so I have somewhat fast attack and medium release. Then that into the SA EQ, channel 1. Inside the EQ GUI, I use auto detect and split the EQ using serial parametric. This allowed me to assign a low freq 10 band range on the one EQ from 31hz to 200hz. On the other EQ I had 10 bands from like 250hz to 8000hz. It worked perfect for what I wanted to do, as it does re-combine the high and low on the output. From there I went right into the amp. I like the SA EQ right before the amp because I think it adds such a good sound, kind of like expanding on the compressed signal but not to the point of needing compression again. I attained my goal of doing what I wanted to do with the SA EQ pedal, maintaining unity gain throughout and keeping the TC amp and Le Bass preamp flat.

I would like to be able to manipulate a wider range on the LFP and HPF to where you can also have control of the rolloff. In the DAW videos I was watching about EQ tips, they call that the 'order' I think? You know, a sharp drop off versus a gradual curve. I think it would be neat to see input and output signal meters in the GUI as well, if your open to suggestions. I haven't used the tuner yet, but I was wondering, what is the 'low bass' vs 'high bass' tuner setting do? When do you think you might have the filter range widened in the GUI?

Great info! I am looking at picking one up for many reasons. One reason is that I too have a Le Bass, and read here in different forums that the EQ2 Limiter helps with the varying Le Bass channel level output issues. How has that worked for you?
 
Great info! I am looking at picking one up for many reasons. One reason is that I too have a Le Bass, and read here in different forums that the EQ2 Limiter helps with the varying Le Bass channel level output issues. How has that worked for you?


Well, I love my Le Bass preamp but I only use the left side of it, just for that overall basic 12AX7 tube sound. I don't use any of the fusions or the right side at all. I know what you are talking about though, like if you did fuse the two and maybe go for the more overdrive tones it is capable of, and then wanting to tame that higher energy output, and I thought about doing just that and creating another preset EQ curve in the Source Audio pedal just for that, and I know it would work great. I know pedals can be costly but this EQ one is worth every dime I spent on it to do what it does with such precisision. One thing you can do is download the GUI for the EQ pedal and play around with it on your PC, then you will wanna buy the pedal for sure, you'll see.
 
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I've been using the EQ2 with a Le Bass for a while. I put it in the loop and use the blue volume knob to set levels between patches. It's working really well with the different channels on the Le Bass, they play well together. I've yet to get them talking to each other through midi but I'm sure that'll make the switching easier.
 
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Well, I love my Le Bass preamp but I only use the left side of it, just for that overall basic 12AX7 tube sound. I don't use any of the fusions or the right side at all. I know what you are talking about though, like if you did fuse the two and maybe go for the more overdrive tones it is capable of, and then wanting to tame that higher energy output, and I thought about doing just that and creating another preset EQ curve in the Source Audio pedal just for that, and I know it would work great. I know pedals can be costly but this EQ one is worth every dime I spent on it to do what it does with such precisision. One thing you can do is download the GUI for the EQ pedal and play around with it on your PC, then you will wanna buy the pedal for sure, you'll see.

Thank you! I need to pull the trigger :)
 
View attachment 4056856 I've been using the EQ2 with a Le Bass for a while. I put it in the loop and use the blue volume knob to set levels between patches. It's working really well with the different channels on the Le Bass, they play well together. I've yet to get them talking to each other through midi but I'm sure that'll make the switching easier.


You would have to make me look up and listen to what a C4 pedal is/does..Oh geeze..let me find another couple hundred to spend..thanks!
 
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