- Apr 19, 2001
- 2,302
- 3,047
- Disclosures
- Beta tester Source Audio, demos/reviews of many others
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Using MIDI USB......very fast switching!!!That pedal switching at the end
I went through your entire break down on your page. Simply amazing!!! That is hours and hours of programming! Awesome outcome!Thank you for all the love, guys!I'm glad you're digging the new video. I tried to have some fun exploring the lesser-used features of the One Series. I was particularly stoked with the results I got using the Lunar Phaser's "Sidechain Envelope" routing at 0:51. Here's a walkthrough, explaining what I did for each section of the demo: Invalid Link Removed All of the presets from the demo are also posted on the Neuro App.
On Laserverb... I was just playing through the Ventris for an hour and a half and I kept finding myself coming back to Laserverb on the engine selector. I agree, special is one of the best ways to describe it. To me it sounds something like the most musical version of a pitch sequencer, but instead of shifting pitches, it shifts peaking frequencies so it works over any chord/line/melody and never clashes.
I didn't even know that existed on the site haha, thanks for that!
Nope. Still the same. All the newer stuff went into Manta.Has the BEF Pro ever been changed in anyway? I've seen some lighter purple and darker purple ones. Just makes me wonder if there's a new firmware or effect or anything.
Thank you for all the love, guys!I'm glad you're digging the new video. I tried to have some fun exploring the lesser-used features of the One Series. I was particularly stoked with the results I got using the Lunar Phaser's "Sidechain Envelope" routing at 0:51. Here's a walkthrough, explaining what I did for each section of the demo: Invalid Link Removed All of the presets from the demo are also posted on the Neuro App.
On Laserverb... I was just playing through the Ventris for an hour and a half and I kept finding myself coming back to Laserverb on the engine selector. I agree, special is one of the best ways to describe it. To me it sounds something like the most musical version of a pitch sequencer, but instead of shifting pitches, it shifts peaking frequencies so it works over any chord/line/melody and never clashes.