I agree that doing this with passive components is difficult. I'm suggesting that it's a task better and more easily accomplished at the signal level.
For the OP -- is this a bass cab with both bass and guitar speakers in it? Or is it a cab you'll be playing both guitar and bass through?
This is a speaker cabinet for a unique bass amp that I have which does a particular sound that is very distorted. I have been running into some issues with most of the cabinets I own, and have played sounding way too harsh or way too dark.
I found a guitar speaker which has just the right balance, but can’t handle sub 125hz frequencies. After a lot of research, and very generous A+ wisdom from a lot of you guys on here (especially @agedhorse; I cannot say enough words of gratitude to him) it has become glaringly clear that Bass frequencies are profoundly complicated and I am in way over my head with this.
That said, I now have a fully engineered 412 cab design for the Bass speakers at least! I do still hope to try and use the guitar speakers I want with these speakers, but it does appear that I may end up scrapping the Guitar speaker aspect. At this point, that may be OK. Either way, I have a plan A and Plan B.
Plan A is to (essentially) have a 212 Guitar cabinet protected by crossover to only see above 200 Hz, and a 212 Bass cabinet to cover the under 200hz.
Plan B is: as long as the bass speaker Cab, I’ve had Engineered sounds good enough, I will cut the top end and dial in the sound I want with it however it is.
Ultimately, I already have a bi-amp rig which works and was the inspiration for this amp and cabinet design in the first place. Now that I know what I’m doing, I can dial that in better in front of the two amplifiers, using the right cabinets. I’d hoped I could get closer with one head and one cabinet, but I can’t argue with physics. I’m happy to submit to God’s law, however the chips may fall on this.