BTW, what does everyone set their EQ to? I never hear anyone talk about that. I keep mine completely flat, if I boost at all it overdrives my amp too much, and not in a way I like.
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
Really? I thought I was the last to know.Yup, that old stuff is all spector. Check this out (not me):
YouTube - ‪RHCP - Knock me down [Bass Cover]‬‏
This is a kramer era NS2 direct in so this is the bass by itself. The tone is amazing, sounds perfect. I love the sound but too bad it's not what I'm looking for. I'm selling mine right now but I don't have an ad up. I'll become a supporting member in the next few days so I can. Anyone interested PM me until I can get an ad up.
I really will give it a chance. I've never seen/heard anyone slapping a Spector, so their preconception (to me) as a "rocker's bass, not a slapper's bass' may be undeserved. Personally, whenever I look at it there across the room (calling to me, whispering to me, telling me to stop working and come play me...), I see Eddie Jackson...
Whom, btw, I LOVE... But I don't emulate...
Has Doug always played Spector? I love the way he slaps with his fingers in this live video but thought this bass was a Warwick Streamer when looking at it. Sometimes I can't tell the difference between the 2 though but this bass has dot inlays too. If you are saying he has played Spector's since the 80's, maybe this is one also.
YouTube - ‪Living Colour / Leave It Alone‬‏
BTW, what does everyone set their EQ to? I never hear anyone talk about that. I keep mine completely flat, if I boost at all it overdrives my amp too much, and not in a way I like.
Have you tried turning down the gain knob on your tonepump preamp? The newer Euro's have them. I have mine turned down to about 50-60% it allows me to boost the bass with no problem.
Hope this helps.
Brent
Do you have a pad switch or active jack on your amp? Your bass may just be too hot.
Lower the pickups maybe?
After watching some of those youtube guys it depresses you a bit. There's one kid who does all Flea's stuff and very well. He put some videos up 3 years ago and he says he started bass in 06. I never worked on slap bass at all so it's a little discouraging. If I worked on it like I do other things I'd probably be able to do some of that stuff in a few weeks/months. My biggest problem with slapping is my accuracy, making sure I hit the right string. Easy problem to fix but I don't slap enough to practice it.

After watching some of those youtube guys it depresses you a bit. There's one kid who does all Flea's stuff and very well. He put some videos up 3 years ago and he says he started bass in 06. I never worked on slap bass at all so it's a little discouraging. If I worked on it like I do other things I'd probably be able to do some of that stuff in a few weeks/months. My biggest problem with slapping is my accuracy, making sure I hit the right string. Easy problem to fix but I don't slap enough to practice it.
That is a Warwick, and to correct myself, I know there was a signature Doug Wimbish Ibanez model for a very short lived time, but IMHO it just (like the Warwick streamer) looked like an imitation of a Spector.
I should have said Doug's main bass as far as I know has been the Amber Spector his new signature model is based on.

LimaGuy said:I know how you feel....I have 28 years experience and a Music degree and I sound like a amatuer when I slap and I feel very discouraged.
I have the same problem, my right hand is very sloppy.
But lately I have been focusing on it and it is quickly getting better.
I purchased Beaver Felton's Slap Happy when I ordered my recent NS-2JAR from Basscentral.
He suggest to slap your thumb on your steering wheel when in your car to built strength. And it seems to be working rather well for me.
It is a challenge for someone who has experience to put themselves back to an intermediate stage with a style they havent played much.
Another possible monkey wrench:
I also thought it was a Kramer NS2 until looking at the bridge closer and hearing about the placement of the serial #.
Yet, the inlays, brass nut, Shallers, etc. seem to say otherwise.
I know, towards the end of Kramer, they put out a few "combination" basses that were branded NS2A's but were actually left over NS2 bodies and necks that were adorned (all or in part) with NS2A parts, particularly the bridge. They compensated for the smaller bridge by puting a wood insert inside the already routed US bridge hole. You might be able to tell by taking the bridge out if it has an insert.
I have only seen a couple of these, but you never know.