I've been getting picky over the sound of the low E recently. I've put heavier gauge strings on and gone up to .105's which helped a bit, but we tune to Eb and it still feels flabby and slightly pitchy when playing the first 3 or 4 frets. The heavier gauges also aggravate my tendinitis issues, which is one of the reasons I moved to short scale in the first place.
EXPERIMENT TIME
I did some banging around of the old brain cells and worked out that because of the pitchyness I have tended to stay away from the bottom end anyway, so the lowest note I use on any of our songs is a G (really a concert F#). My cheap solution was to lose the low string, move all the others down a place; then use a .035 from a Bass VI set to add a high string for tenor-ish tuning, giving me G# C# F# B. For songs that need the F# (about half of our set) I drop the low string down two steps for F# C# F# B.
This has proved slightly fiddly in action, but I didn't have chance to run through the songs in the new tuning before our first show so was mostly occupied with transposing on the fly. Just to keep me on my toes the screw on the neck straplock decided to strip out during the first song too, so I also spent a lot of the set trying to hold the bass up while playing. The new tuning sounded great - very springy and lively - and no-one else even noticed the change until I mentioned it after the set so there was no lack of low-end coming offstage. I'm also going to rewrite some of my lines to take advantage of the extended range. Having the low F# on an open string has given me a few ideas for interesting drone lines that wouldn't have been possible in normal tuning.
Next step is possibly a hipshot xtender to make retuning easier. Has anyone mounted one of these on a Jag SS before?