It's been some time since I've posted anything on this thread, so now it's time to remedy that sitch!
I should mention that at this point in time, I have not a single Squier in stock condition. Mostly, I've harvested necks from them for parts-bass projects. The closest I have to a full-on and complete Squier is my
"No-Guilt Jazz V".
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It's an Affinity body matched up with a Vintage Modified '70s neck. I call it
"No-Guilt" because I hardly ever pick it up, but since it cost me so little to assemble, there's no guilt involved. Plus, if for whatever reason I suddenly need a fiver, I've got one…and a surprisingly damn good one, at that! Something about that Affinity just came together. Statistically speaking, a gem is bound to crop up from time to time and apparently I found one!
For those who've read my
"tinkering with Squiers" posts before may remember some of my frustration-fueled rants about the Squier Standard Series and how much of a wall-banging



pain in the butt they are to modify or harvest parts from. But despite the headaches they've inflicted upon
mein gehirn, I've come back to them over and over again. There is a level of personal comfort and enjoyment in playing their Jazz-spec'd necks that, for me, is only surpassed by the Fender Aerodyne. To wit, I put this lil' beasty together;
Here's my
"Projekt Black" in it's first, all-black & chrome iteration…
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…but then I was inspired to
"bling it up a bit". Not too much, but just enough to make it
"POP!!" visually.
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For anyone interested, here's a rundown on this curious mix of parts & labor;