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Squier vintage modified club, part 2

I've got the VM Jag which I bought with intent to modify. But I liked it well enough "as is" when it arrived, so I decided modding it wasn't really all that necessary.

I just recently, however, put a set of LaBella Copper White Nylon Tape Wounds (760C/60-115) on it, and it's a match made in heaven AFAIC. Big, deep, and creamy with just a hint of top and some midrange subtleties to die for. Great for jazz-sounding numbers and perfect for blues IMHO.
 
Here is my Squier Vintage "Modified" Jaguar Bass Special SS.

I picked it up for $75 and thought it would make a great test subject. I took a heat gun and removed the Apple Red finish, then I planed off a 1/4" from the front and back and replaced that with a 1/4" of maple hard wood. I then burned on the image. I have Bill Lawrence pickups in the mail (I have them on my PBass and LOVE them), and I haven't put the bridge on (i'm a little apprehensive about this part) but that shouldn't be too much of a problem.

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I have a VM Precision which I got from an online store in Indiana in November. The last Squier that I bought was a Made in Japan Strat from the early eighties - I was a bit concerned about buying an instrument made in Indonesia.
It’s actually quite good quality - you can see where they trimmed costs but overall it is very good. Particularly for the price.
I changed the strings, first thing and noticed the number of wolf-tones on the highest string. The P style pickups needed lowering considerably - which I did and the tone has also improved a lot. The J-style is too close to the bridge to create wolf-tones but I lowered it about one turn of the screws.
I’m a guitarist really and this is the first Bass I’ve owned in 30 years..

This is a photo of the actual piece:
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My Squier '77 Vintage Modified Jazz is on the right. Although it played/sounded great, I put a John East J-Retro pre-amp in it because I had it laying around. It loses a little bit of the vintage tone, but I love the tone, plus the ability to boost the mids when need be.

The bass is in good company with my Matt Pulcinella JJ5 and hand carved Carrigan Designs Double Cut.

When I play this VM, I don't feel like I'm sacrificing quality.

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I'm not an official member of this club, nor do I even own a Squier Vintage Modified anything...at least not yet. But I may be in a market for one and am in need for some feedback from you on this particular model: Invalid Link Removed

I already have a Fender Am Std Precision and a Highway One Jazz as my main basses, so I'm just looking for something decent but affordable for my third bass, and this "PJ" idea seems like the most logical for something a bit different from the other two.

What are some of the things you really like about it? (Please be as specific as possible.)
What are some of the things you're not happy about, or disappointed with? (Again, please be as specific as possible.)
Any feedback from you will be greatly appreciated. Thanks in advance.
 
+Not sure if this was the specialty group that I started a few years ago or not. I think it was, so if I'm wrong I'll hear about it pretty quick, you betchum!

About the OP's questions:

At first, the question of quality came up on this site - repeatedly as a matter of fact - but that's pretty much gone the way of just nasty scowlers and ne'er-says that think a logo is more important than a zest to own and play well - a guitar of their choosing.

I also believe - with the same trepidation as when I made my first statement here - that I might've had the first VM Squier, PJ with Stacked knobs that came into the US through Guitar Center in Murietta, California.

Correct me if you will, but I cannot find that bass in the Fender lineup any more - I just looked and it ain't there.If someone finds one, send me a link - OK?

On to your question: I always liked the uniqueness of it when it could hold it's own against basses that were yards more money and held much of the fear factor for it's logo.

The action was good right out of the box - and mine were the first eyes it saw after the box was closed and sealed in wherever it was manufactured. Very little adjustment was needed at all, and although that might've been some fluke - it worked and brought a lot of smiles to me.

Fret work was more than good, and the things for which I look closely were great.

#1 - the finish was deep, pure and without blemish - even for a black body and headstock.
#2 - the electronics - were smooth, clean and precise - and since I had the stacked knobs, all I did to them was tighten the detents under the top knob(s) to make them less susceptible to accidentally moving them in the heat of combat.
#3 - the neck was straight. Still is, even though this bass is at a friend's house and has been for a while - I just ran out of wall space to hang all my collection and since I have a couple of full-blown Fender basses that are active, and they sound the same - I decided to let him have some fun with it.
#4 - immediately upon receiving it, I put Boomers on it. Although the OEM strings were fine - and I've used them on other basses - I just thought this could be a boomer old school bass instead of something with a more modern sound.
#5 - The weight was fine - 8lbs 1 oz if I remember it correctly.
#6 - I put a Precision bridge cover on it (chrome) as it fit well and didn't mask much of the strings.
#7 - I put Dunlop Dual-Locks on it and all my basses have their own dedicated straps and hard cases. The case might've cost more than the bass - That I forget though.
#8 - I heel-pressure worked real carnauba wax into the back of the neck for a couple of hours one evening while I was watching Lawrence Welk's Polka show. No further comments are necessary.
#9 - Battery life is about one year, using it or not - but DON'T leave the jack plugged in as the battery is ON when it's in.
#10 - the hardware - tuners, bridge, fret wires, jack, control panel, neck plate, screws, washers and such were all good n' well finished, not discolored nor partially chromed with dark spots


If you're into quality and affordability and usefulness, then as far as I am concerned, you can do many time worse than any Squier.

Many people razz them (Squiers) but most times it's just a set up issue that is a no-brainer and not something about which to complain. Any decent bass player will set the intonation, string height and neck angle to suit themselves anyway - so what's the big deal.

If the neck doesn't fall off, the strings don't unwind the tuners and the neck doesn't become pretzel-shaped, than you're in fat city.
 
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Here's my 2 VMs: Sign me up!
Amazing basses for the $. I would only have a quarter of one of these basses at Fender prices.
2014 Bass VI with black plastic and Duncan Treble/bass preamp and CTS volume pot and Switchcraft jack.
2010 Precision Bass/Tele Bass. Switchcraft jack, CTS volume pot and push/pull tone for series/parallel.
 
Never thought I'd be here but I was wrong myPBass.JPG on 2 accords. Squire and P Bass. I'm digging this Axe.
 
[QUOTE="bigtone23, post: 18624588, member: 27126
ry%3D480.jpg

Here's my 2 VMs: Sign me up!
Amazing basses for the $. I would only have a quarter of one of these basses at Fender prices.
2014 Bass VI with black plastic and Duncan Treble/bass preamp and CTS volume pot and Switchcraft jack.
2010 Precision Bass/Tele Bass. Switchcraft jack, CTS volume pot and push/pull tone for series/parallel.[/QUOTE]

Man, I really want to try one of the Tele basses out sometime. Never seen one in person.
 
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[QUOTE="bigtone23, post: 18624588, member: 27126
ry%3D480.jpg

Here's my 2 VMs: Sign me up!
Amazing basses for the $. I would only have a quarter of one of these basses at Fender prices.
2014 Bass VI with black plastic and Duncan Treble/bass preamp and CTS volume pot and Switchcraft jack.
2010 Precision Bass/Tele Bass. Switchcraft jack, CTS volume pot and push/pull tone for series/parallel.

Man, I really want to try one of the Tele basses out sometime. Never seen one in person.[/QUOTE]

Me neither until the C'sL add popped up. Only have seen and played original Tele basses. The VM has a similar neck as the CV 51 P bass-the sorta chunky, round thing that is quite comfortable. This particular bass is also nice and light. The pickup is loud and full of bass! Running the pickup in parallel mode is more evenly balanced with my other passive basses, though. I also dropped the pickup's overall height and the polepiece screws down low, too, to compensate for the hot output.
 
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So picked up this beauty to use as a practice bass/backup. It shocked the hell out of me. After a (much needed) setup, it plays as good as any US Fender I've owned (dozens). I didn't expect this and am quite blown-away.

The original owner put on the Hipshot tuners, detuner, roller string tee and Hipshot Type-A bridge. I really like the bridge as it's adjustable for spacing and I tightened up the string spacing just a hair. He also put on the strap locks. I bought new Fender Jazz knobs and replaced the stock chrome originals.

The pickups actually sound great to my ears at home. They very much remind me of Fender Custom Shop 60's. I'm gigging her this weekend and will report back.

Meanwhile, here are a few pics.

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So picked up this beauty to use as a practice bass/backup. It shocked the hell out of me. After a (much needed) setup, it plays as good as any US Fender I've owned (dozens). I didn't expect this and am quite blown-away.

The original owner put on the Hipshot tuners, detuner, roller string tee and Hipshot Type-A bridge. I really like the bridge as it's adjustable for spacing and I tightened up the string spacing just a hair. He also put on the strap locks. I bought new Fender Jazz knobs and replaced the stock chrome originals.

The pickups actually sound great to my ears at home. They very much remind me of Fender Custom Shop 60's. I'm gigging her this weekend and will report back.

Meanwhile, here are a few pics.


Wow, what a beautiful piece of gear, this was what i was hoping i could trade my 5 string in white for. If it sells this is what I'm replacing with. I just want a 4 again =)
 
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Here's my 70's funk machine project/ daily driver. It began as your standard maple finished VMJ. When I first got it, I struggled to begin upgrading it. It already sounded better than my MIM jazz. I doubted there was any improvement to be made. But, after careful consideration, I decided it was better to upgrade this guitar than to buy another that would just sit around like the countless others. So, I started buying upgrade parts. I picked up a 3TSB body, a Hipshot A Style Bridge, and Hipshot Drop Xtender here off of the TB classifieds. I bought some black knobs, a set of Fender SCN Pups, a TOA "70's" wiring kit, Shaller strap locks, a neck plate, and a custom Fender water slide decal (with my full name and the original Squier serial number) off of eBay. After putting it all together and giving it a good setup, I have to say it was worth the effort/ money spent. This guitar went from hanging in my office and never being used, to being my main player. I had thought about dropping fralins in it at one point, but I doubt I'll do any more upgrades. This guitar is such a beast, as is.
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Caliing on Squier VM experts! About to buy. Cant decide between 70s jazz and the 77 vm jazz. Are there any differeces to take into consideration besides cosmetics? I cant see any differences in specs published on the squier website. Thanks!
The only real difference is in the body wood used on different colors. I think the solid colors are agathis and the clear are soft maple.