Nah. Decades ago I played nervously and pretty badly filling in on guitar and a random stranger asked me if we're available to play at a wedding. Haven't been nervous since.
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I stumbled into irony & didn't even realize it! Carly's stage fright was well known by me but didn't even think about that when I added the link. I figured someone on TB would make the "anticipation" connection and submit the same so thought I'd beat them to it. It was either Carly or Heinz.Funny you cited Carly Simon who had debilitating stage fright. I was in her last audience in Pittsburgh back ~80/81. She sang with her back to the audience and invited members to come up and sit on the stage...not kidding. On the way home, radio announced her second show had been cancelled. Subsequent performances were in more intimate settings (Martha's Vineyard, etc.) and recorded.
No stage fright here....audiences are expecting performers to be bigger-than-life.
Riis

I stumbled into irony & didn't even realize it! Carly's stage fright was well known by me but didn't even think about that when I added the link. I figured someone on TB would make the "anticipation" connection and submit the same so thought I'd beat them to it. It was either Carly or Heinz.

i think, as bass players, we're under a lot less pressure.
no surprise then, that most of us don't suffer from this MALADY.
Not really been my experience. Maybe because I've spent 50-plus years hitting from both sides of the plate on bass and guitar.i think, as bass players, we're under a lot less pressure.
no surprise then, that most of us don't suffer from this MALADY.
Always. It always feels like I've forgotten just about EVERYTHING right before going onstage. Of course, I haven't. But it feels that way.
Several things that are in my pre-gig ritual are:
-BE PREPARED! I practice RELENTLESSLY before a gig.
-NO FOOD OR ALCOHOL! I do NOT want any stomach problems on top of my nerves. Also, was real drunk at one gig, and forgot to tune back up from drop D...played 3 songs in the wrong tuning before I noticed (and we were being recorded, too!).
-SET-UP EARLY! Can't stand being rushed setting things up (usually also brought all the lighting to the gig besides my bass rig/mic/monitor). If something goes wrong, at least I have some extra time built-in to try solving it before starting to play.
For me, the only things always packed at home are my main amp and my gig bag (stands, power conditioner, etc.) If I need a second amp, I pack that up the evening before. Basses are chosen ahead of time for a gig while practicing; I pack them up after my last practice. My pedalboard goes in its case at that point as well. The wireless transmitters go in that case once charged. So no decisions to be made, just a spread out routine.Stage fright is a long story for me.
Early on, I’d get hyper-focused before gigs. By downbeat, I’d usually already had a drink and a little weed to take the edge off. It worked, until it didn’t. Over time, that coping mechanism just turned into a problem of its own.
These days I don’t drink or use anything. I changed how I approach the whole thing, starting with gear. At home, everything stays packed in the gig bag and staged in my office. It doesn’t come out unless it’s for maintenance. I’ve got separate home-use cable and tuner so I’m not constantly unpacking the “real” kit.
On gig day, everything gets moved to a single spot by the door - its own little loading bay. Quick visual check. Everything accounted for. Then I load up.
Load-in is the same every time. Same order. Same routine. No thinking required.
That’s the point. Less decision-making, less mental noise before I even get there.
I always arrive early enough to be completely set up at least 30 minutes before downbeat. That buffer is non-negotiable. It gives me time to fully decompress from the drive (about an hour these days), get through load-in and setup, and then just be present in the room well before anything starts. I’ll sit somewhere, talk to whoever’s around - friends, strangers, doesn’t matter. It pulls me out of my head and back into the room, and it also helps naturally ease into crowd connection without forcing it.
Load-out matters just as much - it all contributes to my mind's gig picture. Same routine in reverse. Everything back to its spot at home, ready for the next time. Simple, repeatable. Last step at the venue is always a quick idiot check.
And I make a point, during setup, to step out on stage once. Just stand there, look around, make eye contact, smile. Remind myself it’s just people. Not critics. Just people.