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Stanley Clark plays Rickenbacker with RTF

Gibson, Kramer(although that may just be a pose)as well..
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I think he may also have played a Gibson EB-3 early on.
 
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My favorite RTF is this version with Bill Connors in it.
I hear you; I always thought that DiMeola was a bit full of himself, and it seemed like all he could do was that staccato robot riffing, while Connors did some really out stuff. I went to go see them on the Romantic Warrior tour, got to the hall early, and managed to sneak in while they were doing sound check. Corea, Clarke, and White started to jam on the old perennial,"Green Dolphin Street", but DiMeola looked lost and sat out. Now, I was no jazz nazi, in fact, at that time I was just beginning to learn about all the classic stuff, but I though that him not knowing that one, and not even trying to navigate it on the fly, was just kind of lame.
 
I hear you; I always thought that DiMeola was a bit full of himself, and it seemed like all he could do was that staccato robot riffing, while Connors did some really out stuff. I went to go see them on the Romantic Warrior tour, got to the hall early, and managed to sneak in while they were doing sound check. Corea, Clarke, and White started to jam on the old perennial,"Green Dolphin Street", but DiMeola looked lost and sat out. Now, I was no jazz nazi, in fact, at that time I was just beginning to learn about all the classic stuff, but I though that him not knowing that one, and not even trying to navigate it on the fly, was just kind of lame.
More early RTF with Steve Gadd and Connors doing Spain.
 
I wish I had seen this video back in 1978 or 1979. Maybe it would have dramatically hastened my realization that there is nothing magic in any bass. It would have great to hear and see Stanley Clarke doing Stanley Clarke stuff on an humble Rickenbacker like mine (except mine was prettier.:D)

Off topic: this was pre-huge hat Lenny White.:D
 
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I think he may also have played a Gibson EB-3 early on.

I'd heard it was an EB-2, the thinline semi-hollow model. Allegedly that's the instrument he played on the one or two cuts that feature electric bass from the eponymous Return To Forever album.

Not sure about the Kramer, but I know the G-3 was pure promotional swag, stuff that Gibson gifted Stan. Same with any Ibanez models you ever see him posing with in the late-1970s/early-1980s: The manufacturers gave him free stuff and then used the photos of him holding their gear in their marketing efforts. It's unlikely he ever gigged out with those.
 
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I'd heard it was an EB-2, the thinline semi-hollow model. Allegedly that's the instrument he played on the one or two cuts that feature electric bass from the eponymous Return To Forever album.

Not sure about the Kramer, but I know the G-3 was pure promotional swag, stuff that Gibson gifted Stan. Same with any Ibanez models you ever see him posing with in the late-1970s/early-1980s: The manufacturers gave him free stuff and then used the photos of him holding their gear in their marketing efforts. It's unlikely he ever gigged out with those.
That's what I suspected of the Gibby pic; it too looked a little posed. Also, that was the great era of bogus endorsement ads, the sort of thing that's toned down a bit now that companies aren't throwing a lot of money away like they used to.
 
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