In this context, the soloed P was the best. Even the snap in the first part(it sounded old school funk). The PJ was too thin and Ray was good, but terrible picked. Ymmv
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How do you define control? When it comes to tone shaping, The two or three band eq provides lots of options.
I agree, although this I rarely a problem for me in real life. For a while I played a bass that only had a single coil live and when it buzzed a little I usually just turned a little to one side. Guitarists that play Fenders have worked around this for ever, and through overdriven sounds which makes it a lot worse.My only criticism is that I really think Yamaha should start using humcanceling bridge pickups or at least significantly enhance shielding to reduce noise.
Could you pick and play fingerstyle on the Stingray just in front of the pickup please?The Stingray started out as the winner in this poll but it seems like the Yamaha BB just took the lead! Thanks for all your responses!
THIS JUST IN:
A classic P/J setup (including a sidebar with the P Pickup solo'd) does NOT sound the same as a single, wide-aperture humbucking pickup with active electronics on a different bass.
FILM AT ELEVEN.
It´s always a compromise when you do theses kinds of comparisons. Maybe next time I will try different right hand positions. It looks like I pick right in front of the pickup though. I tried to play them with similar right hand positions but it could be that I ended up further back on the Ray. The Stingray pickup is located about where the P pickup ends on a BB/P bass and not where the bridge pickup is so there might also be some slight optical illusion going on.Could you pick and play fingerstyle on the Stingray just in front of the pickup please?
The P soloed played with a pick. Uau. I have to learn how to play with a pick. Best sound bit of the video, in my opinion.