dont tell Larry that, itll go to his head!![]()
i try to inflate his ego all the time. it doesnt seem to work at all lol
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dont tell Larry that, itll go to his head!![]()
My friend who plays guitar in Warp Rig picked up a blueline SVT, for use in his other band he plays bass in. Since it goes down to 2 ohm, gonna plug it in to the dual Duallies at our next practice and give it a whirl. Something to calm my Dunwich withdrawal until Nick finishes my amp.
My friend who plays guitar in Warp Rig picked up a blueline SVT, for use in his other band he plays bass in. Since it goes down to 2 ohm, gonna plug it in to the dual Duallies at our next practice and give it a whirl. Something to calm my Dunwich withdrawal until Nick finishes my amp.
Drool...
Id ask to give us a report of how it sounds when you do it, but I'm sure we all be able to hear it for ourselves.
Also when's the demo coming out?
Also also you still owe us a full rig pic.
Actually, the demo might be up by tonight or tomorrow. Just conferring by text message and email with the dudes right now. Seems like everyone might already be cool with the preliminary cover art, so I might throw it on bandcamp when I get home tonight. Just waiting to hear back from the drummer.
STORE
Our store is back up now, get a copy of hippie killer while it lasts....I mean if you're into that sort of thing.
Speaking of, that record does have some pretty good dynamics. Really most of the record is just build ups.

Look forward to hearing this beast!
Thanks, I'm looking forward to getting feedback. I have to restrain myself from pre-apologizing for it, because I already want to move on to writing and recording better stuff, with a clearer vision. Nothing new there, all of us who've recorded anything usually know how that goes.
Sorry to hear about you guys losing your drummer. That sucks, hopefully you find a replacement quickly.
recordings an interesting process, that's for damn sure.
I'm in a weird place for recording with bands now, because I've gotten really good at recording my own stuff. So I know how to get killer tones and really craft everything to an overall sound that I like (and usually get a lot of compliments on from others), but when there's other people in the mix that have gear THEY want to use and settings they're adamant about, it's a lot harder. I'm not Phil Spector, I can't pull a gun on someone in the studio and demand they do it the way I want. Well, I COULD...but I wouldn't.
That's tough, because you know what you're talking about and you have the band's best interest in mind, but it's hard to not come off like you're a know-it-all. Tone and gear are such subjective and personal things, people get easily offended when you try to offer advice. I've experienced this to a certain extent.
Maybe you could secretly record clean DI tracks and re-amp everything later. Get it close to their tone but improved.
"Yeah man, your rig sounds great!"
My guitarist has a reamp box thing. I don't think we've used it for the record though, as the basic tracks sounded good on their own.