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Stoner/Doom Bassists thread 31: We never sleep

Well, I was planning on using them for AEAD, so I think they'd work out alright for ya. They'll definitely give you more tension than .135's.

Awesome! I'll send you a PM as soon as the payment hits.

i use one of his 166 for A, but mostly cause it works well for G as well. maybe next set i order ill go one gauge smaller so they warble a little more, but i like them tighter than loose. i used to use a 135 and it went out of tune constantly in A.

My .135 goes out of tune alot even in B and it warbles too which makes for a PITA tuning and setting intonation. I also like more tension on my strings (atleast for bass, i play a little undersized on guitar) so this should work out well.
 
Am I doing this right?

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I almost just spit Indian food all over my keyboard.



So yes.
 
You guys use some huge strings! I tune to B on a 4-string and I've been using .125. Plenty of tension. Guess the instrument makes a big difference.

circle K makes strings above 200 for guys who tune to Eo. pretty nuts, i assume you gotta have a special bridge and tuners to make sure it all fits, unless theyre insanely tapered at the top and bottom.
 
You guys use some huge strings! I tune to B on a 4-string and I've been using .125. Plenty of tension. Guess the instrument makes a big difference.

What kind of bass are you using? I'm using a franken P and it's got usable tension, but too much warble and no tuning stability.

dozicusmaximus said:
I guess it depends on how hard you pound on the strings. I always felt .135 was too sloppy for B. I beat the ish out of them though.\

This is where I'm at right now. I finger bang em like I'm in middle school.
 
My flatwound strings arrived today. I really quite like them. The biggest difference is that the decade switch on my P bass now seems to do a totally different (and less obvious) job now that it isn't just removing high end.

I also had my first rehearsal with my drummer buddy outside of a (horrible) rehearsal studio yesterday. He played his V-drums, and I used the 'mixer out' on my Digitech pedals. All of this went into a powered mixed. I don't think we could get further away from the stoner ideals of huge tube stacks and 26 inch bass drums, but it works at the moment and we can control and record everything as well which is useful at the moment.
 
My flatwound strings arrived today. I really quite like them. The biggest difference is that the decade switch on my P bass now seems to do a totally different (and less obvious) job now that it isn't just removing high end.

I also had my first rehearsal with my drummer buddy outside of a (horrible) rehearsal studio yesterday. He played his V-drums, and I used the 'mixer out' on my Digitech pedals. All of this went into a powered mixed. I don't think we could get further away from the stoner ideals of huge tube stacks and 26 inch bass drums, but it works at the moment and we can control and record everything as well which is useful at the moment.

Hey man, you work with what you've got. No shame in that.
 
I have a late 80's BC Rich Warlock and until yesterday I had a newer Epiphone T-bird. Not sure the exact scale length on either one but they're both pretty long. The Rich especially: 24 frets of shredder goodness.

I had one of those warlocks as well up until a few months ago when i sold it to Sonny, great basses and the pickups arent too bad! Yeah i believe they are 34" scale length, like my P. horses for courses i guess when it comes to strings.
 
Haven't checked in since yesterday, Primus was pretty awesome last night, the 3D was somewhat distracting but cool. Regardless, it was not as cool as this:
 

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