Jess.
This intrigues me...Must stay away.
Link Removed
Still pitting pros and cons on go, no go.
Jess indeed.
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Jess.
This intrigues me...Must stay away.
Link Removed
Still pitting pros and cons on go, no go.
That, they do. It's an odd, complex tone. They work oddly well downtuned.Saw some killer bands last night, all three used Rics, all 3 had awesome tone. Rics seem to have some kind of filtery warble when down tuned that I haven't heard in other basses.
Very cool
Epi T-birds are great, in my opinion.Those Eastmans look sweet. I wonder if they are simple passive JJs or if they have that weird alembic-esque filter system that the Gibsons have.
RDs, Tbirds, explorers and Vs are my favorite body shapes. It's a shame I don't much care for Gibson aside from that. I'd rock an Epi t bird in a heartbeat though.
That, they do. It's an odd, complex tone. They work oddly well downtuned.
You could probably do the same with an all-maple T-bird with pickups in the same positions.It would be cool to get that same kind of effect, but I'm unwilling to give up the heft, feel, and look of my t birds
Epi T-birds are great, in my opinion.
I do like Gibson's styles of guitars. But not their prices. For what they charge for Les Pauls I could get a custom one.
You could probably do the same with an all-maple T-bird with pickups in the same positions.
I could see it maybe having an effect in an extreme case, like maybe a Flying V, which has very little wood around the neck pickup, so it might affect the sound of that pickup. But that's the only case I could think of really. And it might, solo'd, sound *slightly* different from a Les Paul.Totally. Something I just don't understand about guitarists from a bassist's perspective: we understand that a P bass is a P bass is a P bass. Sure feel and build quality differ but that pickup in that specific location always sounds like a P. Guitarists will swear on their life though that two all mahogany/ebony board, set neck of equal scale guitars with humbuckers in the same location will sound different because of the body shape. Shenanigans.
One of my guitarists has a 59 reissue black/gold LP custom and the other an Agile LP. They sound the ****ing same and both play great with a $3k price difference. Despite that, #2 will use the drummers LP custom for shows. *yawn*
Ugh... Hard wood in chef checks.
Just take the tone knob out entirely.Always compromises.
I've been thinking about switching the tone and pickup controls around in my Greco. I assume I could simply just move the wiring to the opposite holes?
Doom wedding? Sweet.Band is playing a wedding in a month. This is going to be interesting.
Just take the tone knob out entirely.
The guy with the CL400 is definitely interested in a f2f purchase. Mentioning the savings he would see from no fees is a fairly attractive offer. Working on setting up a time to go play/buy it.
On that note. I was talking to Julian regarding running two 4 ohm cabs out of an amp with an 8 and 4 ohm output and he mentioned a series box or cable. IIRC @D.M.N. built one of these contraptions. Is it really as easy as it looks? I read about making sure to use a non-conductive box for the enclosure or isolating the jacks. I saw someone's homebrew using a plastic enclosure. My question is this, if any of you know: Do I need to use special jacks or a wire of a specific gauge within the enclosure to handle that much power? I'm cool with using a plastic box, but something more substantial would be cool. Any tips/ideas on how to isolate the jacks? And I am sure that I will need to verify that both cabs are wired identically(they should be) before hooking them up to the box.
Update: Made phone contact with the guy. I am super ****ing pumped about this. The guy apparently played in a successful Skynard cover band for years and owned a custom bass business for almost a decade. He apparently has just over 100 basses, most of which are on display in his studio. School girl candy shop giddy I am.
If it was me, I would use speakon jacks for the cab connection, just so you ever make a mistake.
If you want a Rickenbacker, I'd recommend an S model. They're slightly cheaper.
As for lack of firepower... I guess my band just isn't that loud. I've never run into a situation where I wasn't loud enough playing doom. Then again, the 2000S is a loud cab, especially with Faitals that I don't have to worry about blowing up.
What are your settings in the Rails pedal? I use mine mostly for a dirty treble boost. On its own the current settings are a subtle grind, but feed that into my other dirt and it's a noticeable difference.
The bass looks cool, but I don't like the way that pick guard is cut.I'm still on the fence about that Fernandes P I mentioned some time ago, but I got paid recently and, well, it's still available and it really does tempt.