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I could see it maybe having an effect in
pretty close to mine, actually. I think you have slightly more boost, and more volume, but I'll try those settings too. Should be good.Here's my settings. Later on in the night I did engage the high-cut (less setting) after we listened to a track and I heard a bit too much clank.
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Designed to squeeze as much volume out of the head as possible, I guess.Yeah, the S models without binding are the way to go.
And also yes, the 2000s is a very loud and efficient cab design. I don't know how Conrad did it all those years ago, but his dream is still one of the best cabs out there I think. I used the 2000s rig last night for a cover band show in a bar, I don't think I ever took the volume above 4, and it was definitely loud enough (we actually ended up turning down a bit, the room can be very boomy).
passive bass, vintage SVT and 810. damn that's a marvelous sound. sometimes i wonder why i bother with all the other gear.
The bass looks cool, but I don't like the way that pick guard is cut.
Why? Something wrong with it or purely esthetic?
Why? Something wrong with it or purely esthetic?
This came in the mail, very nice. I see why people dig the preamp.
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USA Millennium, not sure what year.Millennium? Or what Model and year is this?
Speaking of Peavey, put this up for sale:
Peavey Festival Booster
Designed to squeeze as much volume out of the head as possible, I guess.
Of course, it's also a colossal cab. But whatever.
Just saw this. I have no need, really, but I'm tempted. A Tech 21 Paradriver should be enough to drive it, shouldn't it?
My band is on hiatus, and even when active I have the guitar player's Matamp or Sunn 200s at my disposal. Why am I even looking at this?