Sounds like too many editors in the kitchen.
Yeah, that was the only thing that really miffed me at all. Just that I asked him to send me the raw tracks and he edited a bunch of stuff. I think we even had a conversation about how it was the perfect length, not too many parts repeating and that sort of thing. Then I got the track and it was twice as long, had the jam part cut out and the structured part just repeated lol.
That's weird and kind of ******. Maybe he's just self-conscious about his playing in parts.
I think that's part of it, that he wanted to clean up his playing. I'm trying not to overthink it too much and turn it into something, I told exactly what I thought about it in a polite way and asked if he could send me the original jam track so I could hear what I played. We just keep having great chemistry jamming together, but then once I leave everything he does gives me the nagging feeling he's not on board with what I want to do. I just can't tell if it's in my head or reasonable, too many weird musician encounters and not enough actually being in bands for a few years in a row has totally skewed my sensitivity to stuff like that now.
Either way I'm still going to work on what I'm writing, because I like it.