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Basses with Tort stay in tune, have way more highs, mids and lows, punch and display greater dynamics, have delicious overtones, cook gourmet meals, and speak several languages.
I have a confession. I removed the white pickguard from my '51 ri P and left it naked. My '57 ri P has an anodized gold pickguard. Yet under the saddle of some of my ABGs is a thin strip of tort commonly used on acoustic guitars. It makes a great shim and transfers all ! the vibrations to an under saddle piezo. So it is a miracle substance.
The first P I ever played was a '65 sunburst with tort. It belonged to Mike Casady, Jack's brother. Boy it felt good. So I've been a fan since 1968.
And I was seriously wondering why my '65 Jazz Bass with a white PG sounds as fantastic as it does - until I unscrewed it and found THIS:Basses with Tort stay in tune, have way more highs, mids and lows, punch and display greater dynamics, have delicious overtones, cook gourmet meals, and speak several languages.
